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...Vandervane, 54, violinist, composer and conductor, is a familiar Amis character, a clowning nihilist with a middle finger ever at the ready. "Rage at absent, or largely imaginary foes," writes Amis, "was part of his life style...

Author: /time Magazine | Title: Books: Butter on the Bow | 2/7/1972 | See Source »

...been destined to become a King, Frederik IX of Denmark might well have earned a measure of fame as an orchestra conductor. Trained as a pianist in his early years, he studied under the Danish Royal Opera's Conductor Georg Hoeberg. As Crown Prince, Frederik used to sit night after night in the Royal Theater, ready to take over the baton if his aging mentor should be taken ill. Later, he was frequently an incognito guest conductor of the state radio orchestra, without the knowledge of critics or radio audiences...

Author: /time Magazine | Title: DENMARK: The King Is Dead | 1/24/1972 | See Source »

While the Bach Society was a triumph of amateur professionalism, the Graduate Chorale could only be credited with enthusiasm and ambition that together did not add up to the best of performances. The ensemble is extremely fortunate to have had Gerald Moshell as their conductor the past three years. Moshell's imaginative programming allows his group to capitalize on the often unusual nature of the pieces rather than becoming just another chorus singing Handel and Bach...

Author: By Kenneth Hoffman, | Title: Weekend Music | 1/17/1972 | See Source »

Virtually every night during New York City's nine-month music season, Winthrop Sargeant takes his aisle seat at the opera or a concert hall. On Saturday he writes the music column for The New Yorker-a column with considerable bite if he finds the performers indifferent, the conductor lackluster or the composers too avant-garde for his conservative taste...

Author: /time Magazine | Title: Music: The Parasitic Profession | 1/10/1972 | See Source »

...CONDUCTORS Toscanini had a strong temper, and he slashed through rehearsals. But he was the kind of conductor who could forestall trouble. By just looking at his tuba player, he could tell how much wind the man had taken in and forecast how long that tuba note was going to be. He would then make a sign warning to the guy not to play that long. He was the most expert conductor there...

Author: /time Magazine | Title: Music: The Parasitic Profession | 1/10/1972 | See Source »

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