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...opening last fall, Heinz Hall has become the focal point of an energetic renaissance of Pittsburgh's artistic life. It is in regular use by the Pittsburgh Opera, Civic Light Opera, Pittsburgh Ballet, Pittsburgh Youth Symphony, and its owner and principal constituent, the world-class Pittsburgh Symphony under Conductor William Steinberg...

Author: /time Magazine | Title: Music: Recycled Centers | 12/27/1971 | See Source »

...Conductor James Yannatos presented an unusually vigorous selection of works, fortunate in view of the late hour. The program opened with a Bela Bartok suite of Rumanian folk dances orchestrated in 1917 by the composer from the piano solo version. The orchestral playing was excellent; big, clear, and confident. The pizzicato passages were especially impressive for their precision of execution by such a large group. But for content, the Bartok was not satisfying as an opener because the sketches are extremely short and lack formal compositional unity...

Author: By Kenneth Hoffman, | Title: Midnight at Sanders With the HRO | 12/15/1971 | See Source »

Aanyone who invades one of the three weekly rehearsals of the Collegium Musicum is immediately aware of the energy generated between this new group and its conductor, F. John Adams. Organized last June, the Collegium Musicum combines the resources of 70 of the University's better vocalists and one of its finest young conductors. After hearing Adams' reading of the "St. Matthew Passion" last year in Sanders, Michael Steinberg pronounced him "outstandingly gifted." Not the least of these gifts is his ability to elicit from each musician in the group the best he or she can produce. Adams' prowess...

Author: By Mary Tanner, | Title: Collegium Musicum | 12/1/1971 | See Source »

...this internal pressure to excell plus the excitement generated in Collegium rehearsals which distinguishes the group from others in the University. The group seems musically very flexible and responsive. Certainly Adams is a conductor of extraordinary sensitivity. He has great respect for and insight into musical texts themselves, which he can communicate to his musicians...

Author: By Mary Tanner, | Title: Collegium Musicum | 12/1/1971 | See Source »

...Conductor Erich Leinsdorf, returning to the Met after a ten-year absence, leads a performance that surges excitingly, especially when Soprano Nilsson pours forth oceans of brilliant sound. Tenor Thomas does not give the world the Tristan that it has lacked since Lauritz Melchior retired in 1950. He looks romantic, but is overwhelmed by Wagner's demands. Still, thanks to Leinsdorf and the unique Nilsson, there are moments when one can forget that this new Tristan looks like an astronomy lecture with visual aids from Hallmark...

Author: /time Magazine | Title: Music: Spaced-Out Tristan | 11/29/1971 | See Source »

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