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...music-hall format in which the Standwells excel has attracted a number of well-known admirers, among them Conductor Leonard Bernstein, Duo-pianists Gold and Fizdale, and Sir John Gielgud. Perhaps the highest professional compliment the Standwells ever received was from Director-Choreographer Jerome Robbins. While experimenting with repertory theater in 1967, Robbins bought out the theater one night and invited his cast. He had been impressed by a puppet performance of a scene from Romeo and Juliet; that evening, he asked Peschka and Murdock to repeat the scene, leaving out the words but explaining their puppets' actions...

Author: /time Magazine | Title: Show Business: Mini Music Hall | 1/4/1971 | See Source »

...trait he symbolizes to everyone, however, is freedom-his own freedom as an artist, all men's freedom to live their own lives. Beethoven's loftiest hymn to that core symbol is Fidelio, which today has a special pertinence to those European countries, as Austrian Conductor Karl Böhm puts it, "that experienced foreign occupation and domination within the recent past." Thus it was thoroughly proper that the Met's new Fidelio was entrusted largely to Europeans, Böhm included...

Author: /time Magazine | Title: Music: 200-Condlepower | 12/28/1970 | See Source »

Solid Bone. The angry populace soon retaliated. Dentists and doctors turned away electrical workers who tried to take advantage of the slowdown by scheduling appointments. Stores, bars and gas stations refused to serve them. A bus conductor told one power man: "Your lot have put me to a stack of inconvenience. Get off and walk." One of the few signs of support came from unionized workers at London's Evening Standard who walked out and halted late editions in protest against a drawing they considered objectionable. The cartoon pictured the E.T.U. worker as "Homo-electrical-sapiens Britannicus, circa...

Author: /time Magazine | Title: World: Dark Days in Great Britian | 12/21/1970 | See Source »

Repeating one of his Stockholm innovations, Gentele intends to sponsor experimental operas by young composers in inexpensive productions to be staged, probably, in the small but well-equipped opera auditorium next door to the Met at Juilliard. Like Conductor Pierre Boulez, who takes over the New York Philharmonic next fall, Gentele thinks that the creative units of Lincoln Center should shun rivalry for artistic integration. Though he is but the latest European to win a top arts job in the U.S., he does not think America should have an inferiority complex about the Old World. "On the contrary," he says...

Author: /time Magazine | Title: Music: New Manager for the Met | 12/21/1970 | See Source »

Scene 1 (large portions of it originally printed in a June issue of New York magazine) centers on that now famous money-raising party for the Black Panthers given in Conductor Leonard Bernstein's Manhattan apartment last January. For the occasion (TIME, Jan. 26), Wolfe coined the phrase "radical chic." He thus described the tendency among bright blooded, moneyed or otherwise distinguished New Yorkers−lately grown weary of plodding, via media middle-class institutions like the Heart Ball, the U.J.A. and the N.A.A.C.P.−to take up extreme, exotic, earthy and more titillating causes. To hear Wolfe tell...

Author: /time Magazine | Title: Books: Fish in the Brandy Snifter | 12/21/1970 | See Source »

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