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Ever since Conductor Charles Munch died last November, the French Ministry of Culture has been searching for a worthy successor to lead the prestigious Orchestre de Paris. Tradition demands a Frenchman. But quality has now decreed an Austrian: Herbert von Karajan, 60, who is already busy enough as conductor of Salzburg Festivals and the music director of the Berlin Philharmonic. In Paris, the indefatigable maestro will double as music director and conductor, lead the Orchestre in a series of concerts at home, plus several festival appearances and tours of Japan and the U.S. Says he: "I consider the Orchestre...

Author: /time Magazine | Title: People: Feb. 28, 1969 | 2/28/1969 | See Source »

Monday, 3 p.m.: Danish-born Pianist Gunnar Johansen, 63, gets a phone call at the University of Wisconsin, where he has been artist-in-residence since 1939. Boris Sokoloff, manager of the Philadelphia Orchestra, is on the line. Conductor Eugene Ormandy and Pianist Peter Serkin have disagreed on the interpretation of Beethoven's Piano Concerto in D Major, which Serkin was to play with the Philadelphians in Manhattan's Philharmonic Hall the following evening. Could Johansen fill in? Johansen has never even heard the piece, a little-known transcription by Beethoven of his only violin concerto. He dashes...

Author: /time Magazine | Title: Pianists: Diary of a Miracle | 1/24/1969 | See Source »

...lies the influence of Calder, whose mobiles are made of 15 to 20 parts moving freely in space and changing their relationships with one another from minute to minute. Pollock's paintings, created by the "action" of dripping paint onto canvas, suggest the spontaneity and freedom accorded the conductor, who cues the musicians as he sees...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

...Music. One of the works on the program, Available Forms I, which is scored for 18 wind, string and percussion players, is a Calderian example of what Brown calls "conceptual mobility." Each of its six pages contains five musical "events," which the instrumentalists play on specific orders from the conductor. In front of the podium is a numbered board with a sliding red arrow; the conductor moves the arrow to give the page and holds up one or more fingers to indicate the event he wants played. To Brown, a work like Beethoven's Fifth Symphony is "closed form...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

Humiliating Postures. It was on a day like any other on the Long Island: the trains were unheated, overcrowded and late. While riding home at night, the four decided that their patience had run out. When the conductor came around, they informed him that they would show him their tickets only when they started to receive better service from the railroad. In response, Conductor Charles Farnsworth signaled for the train to stop at the next station. All four were arrested on an obscure misdemeanor charge, "theft of service." Then they were taken in a police paddy wagon to Brooklyn night...

Author: /time Magazine | Title: Arrests: Ticket Trouble | 1/24/1969 | See Source »

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