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...took 22 years before Roisman and Mischa addressed each other by their first names, and Alexander to this day has never attempted such informality with his colleagues Roisman or Kroyt. Says Seattle Symphony Conductor Milton Katims, who preceded Trampler as the group's extra violist: "It was like four married people trying to keep their relationship fresh and spontaneous...

Author: /time Magazine | Title: Chamber Music: Farewell to the Budapest | 1/10/1969 | See Source »

...made her debut with the Boston Pops by announcing herself to the conductor. "I decided I should play with Arthur Fidler," she says, and so she did. "I called him one day and said, 'You don't know me, but I simply must play...

Author: By Ruth Glushien, | Title: Luise Vosgerchian | 1/8/1969 | See Source »

...DEBUT with the Boston Symphony in 1948 was less the product of her own initiative. She was playing at the time with Ruth Passelt, violinist and wife of the associate conductor. The orchestra was in Cleveland that winter when Lukas Foss, the scheduled pianist, was suddenly called away. Miss Vosgerchian was given twelve hours to begin rehearsals. "No woman yet had played in the Symphony," Miss Vosgerchian recalls, "so Koussevitsky insisted I first play in front of Lukas...

Author: By Ruth Glushien, | Title: Luise Vosgerchian | 1/8/1969 | See Source »

...mode of Christian worship is not that of Bach's time, and the impact of his compositions, whether secular or sacred, stems largely from a general feeling of transcendence in the music. "He will give Christianity to Christians, Judaism to Jews, even Communism to Communists," says Karl Richter, conductor of the Munich Bach Choir and Orchestra. Ultimately, says Helmut Walcha, "Bach opens a vista to the universe. After experiencing him, people feel there is meaning to life after...

Author: /time Magazine | Title: A Composer for All Seasons (But Especially for Christmas) | 12/27/1968 | See Source »

Passed over for the job of court conductor at Weimar, Bach landed a similar position with Prince Leopold of Anhalt-Cothen; the defection so angered Duke Wilhelm that Bach was clapped in the Weimar jail for a month. Once he arrived at Cothen, Bach devoted five placid, productive years to superb keyboard and chamber pieces, including the French Suites for harpsichord, the unaccompanied music for cello and violin, and the six Brandenburg Concertos. This period is usually labeled Bach's secular phase, though he was not fussy about the distinction between sacred and secular. Bach often borrowed from...

Author: /time Magazine | Title: A Composer for All Seasons (But Especially for Christmas) | 12/27/1968 | See Source »

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