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...HARVARD-RADCLIFFE Orchestra was in top form for its final concert last Saturday evening. If the group has been noticeably under the weather in past appearances this year, especially since the departure of permanent conductor James Yannatos, it is now on the way toward a total recovery. Appearing with a string section pared down to the absolute minimum, the orchestra seems to have reached a solid foundation on which to begin reconstruction. Next year, if full size can be reached without diluting present competence, the orchestra should be prepared to indulge all but the wildest programming whims...

Author: By Lloyd E. Levy, | Title: Harvard-Radcliffe Orchestra | 5/14/1968 | See Source »

...Piano Concerto No. 1, Ravel's "Le Tombeau de Couperin," and Stravinsky's Symphony in Three Movements contains an ample selection of hexes for orchestral musicians. The Berlioz was a failure, but this shaggy, distorted reading can be set aside (though not excused). Neither the orchestra nor guest conductor John Corley was ready to bandle such a wildly gyrating piece, and with a little spiritless effort they got it out of the way. Mr. Corley had obviously cultivated a style better suited to the three remaining works--a straightforward approach that concentrates on accuracy, balance, and ensemble. In any case...

Author: By Lloyd E. Levy, | Title: Harvard-Radcliffe Orchestra | 5/14/1968 | See Source »

...Harvard Glee Club Organization is diversifying its singing groups to widen the focus of musical opportunities at Harvard, Elliot Forbes '40, Fanny Peabody Professor of Music and conductor of the Glee Club announced yesterday...

Author: NO WRITER ATTRIBUTED | Title: Glee Club to Reorganize, Creates All-Class Chorus | 5/13/1968 | See Source »

...eggs of the season. At the close, few in the audience even realized the work was over; men were caught with their arms folded, women with fingers entwined in their coiffures. Thus surprised, they were able to summon up only enough applause to give Sessions and Conductor Steinberg a single extra bow-far less than the usual polite New York Philharmonic minimum...

Author: /time Magazine | Title: New Works: His Own Thing | 5/10/1968 | See Source »

...record of previous directors would sober the most sanguine candidate. In 1964, Herbert von Karajan quit in a huff over "bureaucratic interference." Karl Boehm was virtually booed out of the job in 1956. The strain of it all gave Herbert Strohm a nervous breakdown in 1941. As fine a conductor as Felix Weingartner lasted only 20 months in 1935-36-and that was his second fling at the job. Even the demonic Gustav Mahler, who gave the house a decade of discipline and creativity from 1897 to 1907, left with his health broken by the fierce battles he had been...

Author: /time Magazine | Title: Opera: Resistance Movement | 5/10/1968 | See Source »

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