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...choristers, 48 soloists, 99 instrumentalists, 50 dancers, 127 staff assistants, 193 tons of scenery and five tons of Russian edibles. When Rome's Piccolo Teatro Musicale arrived in Manhattan last week, there was a little less to be seen-a handful of singers and players, one slightly overweight conductor, and a compact bundle of slats, screws and canvas that weighed scarcely more than a ton. But when the slats and canvas were screwed together into a miniature Neapolitan theater on the stage of Carnegie Hall, the audience found plenty to admire...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

...arranged set composed of unbroken, speckled, pastel rectangles; small musical forces; restrained staging. The result unfortunately, was a complete contradiction of the medium. Spectacle was non-existent, and in spite of many moments of real humor, the production was about as uplifting as a grade-school Flag Day presentation. Conductor Brian Davenport and director Warren Goldfarb have resuscitated a period piece with all the respect but none of the imagination it deserves...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

...musical side, signs of haste were very much in evidence. Mistakes, poor ensemble, and terrible intonation were rampant, especially in the second half. The conductor wisely restricted himself to keeping time, judging by the total failure of all attempts at flexibility of tempo. General unfamiliarity with the score resulted in embarrassing silences between the many discrete sections of music, destroying whatever pace this already tenously organized potpourri might have...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

...performance exhibited the meticulous preparation that one expects from the Glee Club. Forbes is a conscientious conductor and he shapes dynamics, attack, and tone quality to create beautiful and exciting effects. In the motets by contemporary composer Rev. Russell Woolen which opened the program, Forbes drew out a line that repeatedly swelled and subsided. The effect reflects the performance practice of traditional Gregorian Chant and adds a physical dimension to the musical sensations...

Author: By Lloyd E. Levy, | Title: Harvard Glee Club | 4/22/1968 | See Source »

...Pianist-Conductor Daniel Barenboim, who is taking the London Symphony to the U.S., immediately arranged to have Oliver conduct his piece at Manhattan's Carnegie Hall this week. Andre Previn was shown the score and decided to perform it next season with the Houston Symphony. "I would have taken it to be the work of an adult," said Previn, 39. "The fact that it was written by a boy of 14 is amazing and frightening...

Author: /time Magazine | Title: New Works: My Son the Composer | 4/19/1968 | See Source »

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