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...vigorous intensity. But not all of the album's music is composed of harsh explosions of frenetic percussion; the "night music" in the Third Concerto was inspired by the bird and insect sounds of Asheville, N.C., where Bartok sketched out the music during a visit in 1944. Conductor Seiji Ozawa, 31, matches Serkin's youthful sympathy with Bartok's still-new ideas...

Author: /time Magazine | Title: Time Listings: Jul. 14, 1967 | 7/14/1967 | See Source »

TCHAIKOVSKY: VIOLIN CONCERTO IN D MAJOR (Melodiya-Angel). An extraordinary father-son act: David Oistrakh, 58, conducts the Moscow Philharmonic, while his son Igor, 35, fiddles. David, long considered one of the world's great violinists, now proves himself, after only five years on the podium, a conductor of major talent, while young Igor shows every indication of keeping the Oistrakh name in the annals of superior violinists. Together, they exploit every nuance in Tchaikovsky's eternally popular concerto, an exercise in wild conversation between the persistent, articulate voice of the violin and the rumbling, colorful orchestra...

Author: /time Magazine | Title: Time Listings: Jul. 14, 1967 | 7/14/1967 | See Source »

...other players with whom he is acting and (one hopes?) interacting on stage. A production needs to be seen as a whole; and this demands perspective and objectivity. It was for this reason that the job of directed evolved in the first place--and, analogously, that the orchestral conductor superseded the head-bobbing harpsichordist or violin list. Is the indulging of theatrical egotism and arrogance worth a return to the old-time lack of focus, balance, and precision? Both Sir Laurence and Saint Cyril should attend to wending their ways by mending their maze...

Author: By Caldwell Titcomb, | Title: Middling 'Midsummer Night's Dream' Opens | 7/3/1967 | See Source »

WAGNER: DIE WALKÜRE, (Deutsche Grammophon; 5 LPs). Despite all of its flames, blood, magic swords and flying goddesses, this crystal-and-velvet score is the most human of Wagner's Ring operas. Conductor Herbert von Karajan's slow, deliberate pace illuminates each stroke of genius in the score, but some listeners will find that he has sacrificed passion for clarity and restrained the anguish that Wagner's wild climaxes can evoke. No matter: Jon Vickers' Siegmund is powerful and Régine Crespin's hotoyohos are properly rousing...

Author: /time Magazine | Title: Television: Jun. 30, 1967 | 6/30/1967 | See Source »

...prospects in the U.S. are brightening again. RCA Victor has signed him to a new contract, and plans to record four concertos that were created for him, plus rarely heard pieces by Gershwin, Jerome Kern and Cole Porter. Recently, Conductor Andre Kostelanetz featured Adler in the New York Philharmonic's informal "Promenades" series at Manhattan's Lincoln Center-his first appearance with the Philharmonic in more than 20 years. His performances of Rumanian Fantasy for Harmonica and Orchestra, written for him in 1956 by Rumanian-born Composer Francis Chagrin, were worth the wait. As his hands fluttered...

Author: /time Magazine | Title: Instrumentalists: Seeking a Mark | 6/30/1967 | See Source »

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