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Leonard Bernstein, D.MUS., conductor, composer...

Author: /time Magazine | Title: Kudos: Round 3 | 6/23/1967 | See Source »

...Gustav Mahler's Third Symphony at the 1902 Krefeld Festival in Germany, one reviewer concluded that "the composer should be shot." The first Vienna performance of Mahler's Fourth drove the audience to such fury that fistfights broke out all over the concert hall. Conductor Hans von Bülow refused to perform Mahler's works because they were "much too strange." In the face of such hostility, Mahler remained stoic. "My time will come," he predicted...

Author: /time Magazine | Title: Composers: The Man Who Speaks To a High-Strung Generation | 6/23/1967 | See Source »

...number of recordings of Mahler works has leaped from ten in 1952 to 81 this year-three of which are currently among the 40 best-selling classical LPs. At least four record companies are issuing complete sets of the symphonies under a single conductor. The Pittsburgh Symphony's William Steinberg is planning an unprecedented series of seven Mahler concerts for the orchestra next season, three of them in New York. In Paris, no fewer than ten concerts since January have featured Mahler compositions. And in Austria last week, the Vienna Festival wound up a monthlong, twelve-concert survey...

Author: /time Magazine | Title: Composers: The Man Who Speaks To a High-Strung Generation | 6/23/1967 | See Source »

...naked nerves." The Angst, as well as the questing spirit of Mahler's music, no doubt explains its special meaning for today's college-age youth, who are among the biggest buyers of Mahler recordings, and who made up about 40% of the Vienna Festival audience. As Conductor Steinberg puts it: "Mahler was a high-strung genius who speaks today to a high-strung generation...

Author: /time Magazine | Title: Composers: The Man Who Speaks To a High-Strung Generation | 6/23/1967 | See Source »

This attitude results primarily from the peculiar position of the Music Department in relation to the welter of musical activity in the College. In spite of the fact that the conductors of the big musical organizations have positions on its faculty -- and of the two or three professional recitals spon sored throughout the year, or the occasional venture as impresario made by its Pulitzer prize-winning composer-conductor, Leon Kirchner--the Music Department has earned the reputation of being "anti-performance." This may or may not be true of individual members of the department, but it is justified...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

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