Search Details

Word: conductor (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...face of it, conductor Daniel Hathaway seemed to have limited his ambition to a formal concert performance without dialogue. Actually he failed to resist the temptation of doing Fidelio as a stage production as well...

Author: NO WRITER ATTRIBUTED | Title: Fidelio | 5/9/1967 | See Source »

...base, he managed to assemble many of the best instrumentalists at Harvard; for his chorus he drew heavily from the Glee Club and the Radcliffe Choral Society. It is a tribute to his musicians' intelligence and ability to sightread, and to his own assiduity and seriousness as a conductor, that they got through the music as well as they...

Author: NO WRITER ATTRIBUTED | Title: Fidelio | 5/9/1967 | See Source »

...gourmet knows, the place to learn a chef's secrets is in his kitchen rather than at the table. Similarly, the place to understand a conductor's skills is at his rehearsals rather than at a concert. In the case of Arturo Toscanini, not only the keys to his greatness but also some of his finest performances were to be heard at rehearsals. "Any body who missed them, missed Toscanini," says Violist Nicolas Moldavan, who played under the maestro in the NBC Symphony. "That was where there were the moments of beauty and intensity that only Toscanini could...

Author: /time Magazine | Title: Conductors: Salute from the Ranks | 5/5/1967 | See Source »

...years ago the HRO commanded more attention and respect than any Harvard musical organization. James Yannatos was new as conductor. The best instrumentalists belonged as a matter of course and were envied for their positions. HRO concerts were keenly anticipated musical events, and the orchestra matched expectations with uniformly impressive programs. In a single concert, they might have played Berlioz's "Roman Carnival" Overture, Bartok's Concerto for Orchestra, and Beethoven's Seventh. All Sanders was rapt, and one distinctly felt that something important was happening...

Author: NO WRITER ATTRIBUTED | Title: HRO | 5/1/1967 | See Source »

Luigi Dallapiccola's Dialoghi for 'cello and orchestra (1960) was the most important work on the program; Friday night marked the U.S. (if not the world) premiere of the piece--even conductor Yannatos was not sure which. The strings were further reduced, making way for the wind section and a panoramic display of percussion instruments...

Author: NO WRITER ATTRIBUTED | Title: HRO | 5/1/1967 | See Source »

Previous | 397 | 398 | 399 | 400 | 401 | 402 | 403 | 404 | 405 | 406 | 407 | 408 | 409 | 410 | 411 | 412 | 413 | 414 | 415 | 416 | 417 | Next