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...more, the quality of the top U.S. orchestras has developed to such a marked degree in the past few years that the Big Five-Boston, Chicago, Cleveland, New York and Philadelphia -are being crowded for honors by numerous other contenders. The first to surface was the Pittsburgh Symphony under Conductor William Steinberg. Through unstinting musicianship and an easygoing charm, Steinberg has molded his orchestra into a precision instrument of the highest caliber (TIME, Sept. 11, 1964). Moving west, there are no fewer than five more orchestras which, by the outstanding efforts of their masterbuilder conductors, now merit room...

Author: /time Magazine | Title: Orchestras: The Elite Eleven | 4/8/1966 | See Source »

Technically, the orchestra performed best in the Webern, perhaps because it was limited to a small group. And assistant conductor William Conable had impressive control over the group's dynamics and rhythm...

Author: By Thomas C. Horne, | Title: The Harvard-Radcliffe Orchestra | 3/21/1966 | See Source »

...Harvard-Radcliffe Orchestra performs at 8:30 tonight in Sanders Theatre. The program will consist of Vivaldi's "Concerto for Flute and Strings," Karen Monson, soloist; Webern's "Symphony Opus 21," William Conable, guest conductor; Brahm's "Piano Concerto #1," Ursula Oppens...

Author: NO WRITER ATTRIBUTED | Title: HRO Concert Tonight | 3/18/1966 | See Source »

...excellent production was something of a United Nations effort, what with an Italian conductor (Bruno Amaducci), an Estonian director (Ulf Thomson), a Greek baritone (Rudolf Constatin), an Australian soprano (Althea Bridges), a Japanese basso (Kunikazu Ohashi) and a Spanish tenor (José Maria Perez). The libretto deals with Attila's siege of Italy in the 5th century and is embellished with the usual subplots of revenge, lust and political hanky-panky. What makes the opera worth the salvaging is the vigor and sheer melodic beauty of the score. Though Verdi the patriot worked at odds with Verdi the composer...

Author: /time Magazine | Title: Opera: Arias to Fight By | 3/18/1966 | See Source »

...conductor in a conniption once defined a symphony orchestra as "a menagerie of geniuses." To capture and keep these restless creatures has never been a simple matter, and in recent years they have displayed a growing tendency to burst out of their gilded but confining cages. Wearied by the iron regimen and routine of orchestra life, front-rank instrumentalists have defected by the dozens to the concert circuit and university faculties. Money is not the issue. They are not looking for bigger paychecks; they want a richer musical life. How to satisfy this craving is one of the principal problems...

Author: /time Magazine | Title: Chamber Music: Rewards Beyond the Regimen | 3/18/1966 | See Source »

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