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Coming from Eugene Ormandy, this means one of the greatest performances that any conductor has ever given anywhere. For at 65, Ormandy accepts no living conductor as his superior. This year he is celebrating his 30th anniversary with the Philadelphia Orchestra, a tenure unmatched by any other conductor of the world's major orchestras...

Author: /time Magazine | Title: Conductors: Hungarian's Rhapsody | 10/15/1965 | See Source »

...with the government-subsidized houses of Europe; Austria, for instance, spends more on the Vienna State Opera than on its foreign service. But there is genuine popular enthusiasm in the U.S.-and New York's Metropolitan is responding to it in launching its national touring company. Opera, says Conductor Thomas Schippers, is in the midst of a "wild renaissance...

Author: /time Magazine | Title: Essay: OPERA: Con Amore | 10/8/1965 | See Source »

...converse in such a way as recitative, and do not place themselves at fixed distances, in a quartet, waving their arms to express their emotions." In a similar vein, Dr. Johnson called opera "an exotic and irrational entertainment," and it caused Charles Lamb "inexplicable anguish." Says British Conductor John Pritchard: "There is a tremendous backlog of Puritan suspicion of opera...

Author: /time Magazine | Title: Essay: OPERA: Con Amore | 10/8/1965 | See Source »

Inside, she regained her composure. Symphony Conductor Erich Leinsdorf gallantly kissed her hand as she entered, and she chatted comfortably at the dinner table with him and Henry Cabot, board president of the symphony. Amid the dimly lit candelabra and the red-globed lamps of the Edwardian decor, sweating photographers dashed about popping dozens of flashbulbs at her, occasionally overturning chairs and breaking wine glasses. The guests-from Boston grandes dames to college boys-gaped openly at Jackie, but she seemed unperturbed. Dinner was surprisingly good for such an affair: lobster, veal, braised endive and soufflé glacé. Jackie...

Author: /time Magazine | Title: Society: Graceful Entrance | 10/1/1965 | See Source »

...reviews were often florid, sometimes shockingly inaccurate-she once confused Haydn with Prokofiev-but rarely dull. After seeing Olivia de Havilland in Candida, she wrote: "A pallid, one-dimensional heroine in a kind of comic-strip Shaw. When she enters, she is an interruption, nothing more." She dismissed Conductor Rafael Kubelik: "The symphony was as shapeless as his curious beat, being distorted by arms stiff as driving pistons or limp as boiled spaghetti...

Author: /time Magazine | Title: Critics: Exit of the Executioner | 9/3/1965 | See Source »

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