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What made the chorale's success doubly surprising was the fact that Conductor Shaw made no compromise with his audience. He not only included Friede auf Erden by Composer Arnold Schoenberg, who is ideologically unacceptable in Russian musical circles, but he also scheduled a great deal of religious music, which is virtually never heard in Russian concert halls. Shaw, 46, was surprised by the Russians' fervent response. Said he: "You couldn't ask for anything more." Soviet Deputy Cultural Minister Alexander Kuznetsov offered a hopeful explanation. "We Russians," said he, "also understand things of the spirit...

Author: /time Magazine | Title: Music: The Spirit in Moscow | 10/26/1962 | See Source »

...last month's opening of Lincoln Center. Conductor Leonard Bernstein seized an intermission well-wisher with operatic gusto, dropped a kiss upon her cheek, and offered her his own, slightly more ravaged, cheek in return. The kissee, Mrs. John F. Kennedy, looked pleased; but the moment, recorded on nationwide television, brought some cries of public outrage. "Distasteful'' and "disgusting," sniffed the proper to the polltakers; and though Gossip Dorothy Kilgallen soothed one righteous reader by explaining that "it was the sort of 'social' kiss customary in high society," she went...

Author: /time Magazine | Title: Manners: Cocktail Kissing | 10/19/1962 | See Source »

...relatives. James and a brother stayed behind when the family went back to Mississippi. When the time came for the brothers to go home, they went by train. "The train wasn't segregated when we left Detroit.'' Meredith recalls. "But when we got to Memphis the conductor told my brother and me we had to go to another car. I cried all the way home from Memphis, and in a way I have cried ever since...

Author: /time Magazine | Title: The States: Though the Heavens Fall | 10/12/1962 | See Source »

...last week, responding to Leinsdorf's tick-tock beat with hair-trigger reflexes. The orchestra was installed on risers introduced by Leinsdorf to get a better integrated sound, and it was apparent from front row to rear that the men were emotionally "up" as well-for their new conductor as much as for the new hall...

Author: /time Magazine | Title: Music: The Boston's New Boss | 10/5/1962 | See Source »

...first Leinsdorf rehearsal of the orchestra, according to a visitor, it "played like a million dollars," and its new conductor commented happily: "It's quite a band." Indeed, it is more of a band than Leinsdorf has ever had before: his career with the Cleveland Orchestra, to which he was invited in 1943, was interrupted by the war, and in the postwar years he moved about considerably, from the Rochester Philharmonic to the Met to guest-conducting chores all over. The delight of Boston concertgoers these days is that in the Boston Symphony, Leinsdorf has at last found...

Author: /time Magazine | Title: Music: The Boston's New Boss | 10/5/1962 | See Source »

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