Search Details

Word: conductor (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

During his college years, reviewers for The Crimson called Adams a musician whose “pyrotechnics…must be the envy of all clarinetists” and “a gifted conductor...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Celebrated Composer Snags Pulitzer for 'Transmigration' | 4/11/2003 | See Source »

HARVARD-RADCLIFFE COLLEGIUM MUSICUM. The Harvard-Radcliffe Collegium Musicum, Harvard’s premiere co-ed choir, under conductor Jameson Marvin, will be performing “Gems of American Choral Literature,” a series of secular masterworks of contemporary British and American composers. The evening will also feature guest choir the Columbia Collegium Musicum. Friday, April 11 at 8 p.m. Tickets are $18/$14 general; $9/$7 for students (two per ID) and senior citizens. Available at the Harvard Box Office, (617) 496-2222. Sanders Theatre...

Author: By The CRIMSON Staff, CRIMSON STAFF WRITER | Title: LISTINGS -- April 11 to 17, 2003 | 4/11/2003 | See Source »

...Russian Program” featuring Prokofiev’s “Lt. Kije,” Kabalevsky’s “Colus Bergeron Overture,” and Mussorgsky’s “Pictures at an Exhibiton,” with guest conductor Gil Rose. Friday, April 4, at 8 pm. Tickets $13/$11/$8 general, $10/$8/$6 students (2 per ID). Series tickets available at $38/$32/$23 general, $29/$23/$17 students, and $10/$8/$6 for groups of ten or more, from the Harvard Box Office (617) 496-2222. Sanders Theatre...

Author: NO WRITER ATTRIBUTED | Title: Listings, April 4-10 | 4/4/2003 | See Source »

...ARTE CHAMBER ORCHESTRA. The Pro Arte Chamber Orchestra, led by conductor Gunther Schuller, presents “Glorious Gunther.” Works to be performed include White’s “Five Minatures,” Schubert’s “Rondo for Violin and Orchestra,” Schuller’s “Concerto Da Camera,” and Haydn’s “Symphony No. 46,” featuring Peter Zazofsky on violin. The program includes a free pre-concert apertif at 2:00 p.m., a post...

Author: NO WRITER ATTRIBUTED | Title: Listings, April 4-10 | 4/4/2003 | See Source »

That's where Disney came in. His animators' drawn images were as free as any in movie history. It was relatively easy to plan music, effects and dialogue so that they could be synched to the imagery. For example, all a conductor had to do was follow the beats Disney's people had marked on their work print. Even so, Disney had to spend a good deal of his dwindling capital getting a musical director to follow those cues. Then he had to spend several weeks lurking around screening rooms, trying to get Willie seen and heard...

Author: /time Magazine | Title: Nov. 18, 1928 | 3/31/2003 | See Source »

Previous | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | Next