Word: conductor
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Careless Diva. The girl in the case was Turkish Opera Singer Ayhan Aydan, now a plumpish, red-haired 36. In 1951, just after her divorce from Ankara State Orchestra Conductor Ferit Alnar, Ayhan caught the eye of Menderes at a luncheon party. She was then a svelte 27, he a handsome and roving-eyed 52. In no time at all Premier Menderes was such a frequent caller at the singer's apartment that other tenants grew grumpily accustomed to being stopped and searched by bodyguards. Ayhan's apartment was kept plentifully stocked with Menderes' favorite Black...
...coincidence, there is a My Fair Ladylike tone to Camelot's credits. Not only did Lerner and Loewe create the play, but Fair Lady's Director Moss Hart signed on again, along with Julie Andrews as Guinevere, Choreographer Hanya Holm, Set Designer Oliver Smith, Conductor Franz Allers. Beyond that, Lerner's libretto is drawn from one of the best novels of the loth and 20th centuries, T. H. White's The Once and Future King. And Arthur himself is arriving in the shape and voice of Wales's and the Old Vic's Richard Burton, who at 34 is numbered...
Died. Dimitri Mitropoulos, 64, virtuoso conductor and pianist who followed a musical calling with mystical fervor; of a heart attack; in La Scala Opera House, Milan. Athens-born of ecclesiastical lineage, Greek Orthodox Mitropoulos gave himself to music with the dedication of a monk (which he once intended to be), lived frugally, gave away his money to students as his hero St. Francis of Assisi did, became an apostle of modern composers. On the podium he danced, shook his fringed pate, conducting without a score from an awesome memory. Off the podium he read philosophy, the Greek dramatists...
...production did little to improve matters. The singing-by Baritone MacNeil in the title role, Soprano Leonie Rysanek and Mezzo-Soprano Rosalind Elias as the evil and good daughters of the King, Bass Cesare Siepi as a Jewish high priest-was generally good but rarely inspired. Conductor Thomas Schippers (who at 30 is the youngest conductor ever to open a Met season) whipped his orchestra through the score at a soprano-searing pace. The sets by Teo Otto and Wolfgang Roth were contradictory in style: an ornate realistic idol in one scene, a starkly abstract grillwork in another. Although...
...favorite refuge of a critic confronted with a new piece of modern music is to plead that it demands a second hearing. Last week Conductor Leonard Bernstein obliged. He led the New York Philharmonic through a performance of Lukas Foss's Time Cycle for Soprano and Orchestra, an atonal work based on poems by Auden, Housman, Kafka and Nietzsche, all of them having to do with the flow of time, clocks or bells. With Adele Addison expertly taking the vocal part, the work proved to be one of Foss's strongest-a mosaiclike structure full of wispily haunting...