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That was ten years ago. Last week Conductor Rodzinski, 64, was back in Chicago for the first time since his abrupt dismissal as boss of the Chicago Symphony. He came this time at the invitation of the Chicago Lyric Opera to conduct three performances each of Tristan und Isolde and Boris Godunov. In the process he demonstrated much of the brilliance that made him a legend with Chicago audiences a decade ago-but also flashes of the erratic temperament that had antagonized stiff-necked symphony board members...

Author: /time Magazine | Title: Music: Artur & the Dragons | 11/24/1958 | See Source »

...undiminished loyalty of Chicago audiences. He still thought Chicago should be the cultural center of the U.S. (his ambitious campaign to extend the symphony to include opera performances was one of the reasons for his firing). But he denied any desire to exchange his present existence as a freelance conductor in Italy for a steady post in Chicago or anywhere else. Said he: "I wouldn't accept a permanent job if they offered it on a golden plate lined with platinum, uranium and cobalt. I want to let them sleep quietly, all those conductors in America with the Fafnir...

Author: /time Magazine | Title: Music: Artur & the Dragons | 11/24/1958 | See Source »

...credit for digging it up belongs to Conductor-Musicologist Newell Jenkins. 43, who has long had a passion for unearthing little-known works of the 18th century. Last season Jenkins launched a series of what he called Clarion Concerts at which he presented the fruits of a dusty three-year search through the libraries and conservatories of Europe. To Jenkins' own surprise, Clarion Concerts was a rousing success at the box office. Before Jenkins gets through, his subscription audience will have encountered such obscure 18th century composers as Franz Anton Rossler, The Chevalier de Saint-George and Francesco Antonio...

Author: /time Magazine | Title: Music: Buffo Requiem | 11/24/1958 | See Source »

Functioning both as stage director and conductor, Goldovsky has chosen effective blocking and byplay, and keeps the performance moving along at a good pace. His beat is clear and his cueing exemplary (though he ought to curtail his Toscaninian grunting and humming). Nevertheless, the orchestral playing is far from polished. The company can doubtless not afford a sufficient number of orchestral rehearsals; the players are quickly recruited more or less at random from the Union local and thus cannot possibly achieve a nuanced and precise ensemble. I fear nothing can be done about this shortcoming...

Author: By Caldwell Titcomb, | Title: Count Ory | 11/20/1958 | See Source »

...previous years, the conductor has been engaged annually by the Pierian Sodality of 1808, sponsors of the HRO. He has been paid $400 a year by the latter, in addition to $600 by Radcliffe College for conducting it own orchestra. Compared with this, the basic University salary for instructors...

Author: NO WRITER ATTRIBUTED | Title: Music Dept. Offers Post To Orchestra Conductor | 11/6/1958 | See Source »

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