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Maestro Isaiah Jackson '66, guest conductor of the Boston Pro Arte Chamber Orchestra, knows the musical offerings of Harvard well. Graduating cum laude in history and literature of Russia, Jackson began to pursue his musical interest more intensively at Harvard. Although he had been playing the piano since he was four and had sung in the choir at his prep school, Jackson's parents discouraged him from pursuing a career in music. He explains, "It was a long time ago. There simply were no African-Americans in the classical music arena." He found Harvard to be a place "where...

Author: By Vivian Song, CONTRIBUTING WRITER | Title: Two Generations of Musicianship | 2/25/2000 | See Source »

...sharing a stage. Still, while Ben has never performed under his father's baton, he hopes that he will someday. "It might be weird. I mean, what would I call him in front of everyone else in rehearsal?" he explains. "But my father is a great conductor and I imagine there is lots to learn musically from...

Author: By Vivian Song, CONTRIBUTING WRITER | Title: Two Generations of Musicianship | 2/25/2000 | See Source »

Director David Chambers has shaped Korder's sprawling scenes with a conductor's feel for the mix of noise and quiet, action and repose, and Ming Cho Lee has designed some of the most strikingly eccentric sets in recent memory, full of skewed angles and semiabstract swatches of color. Michael Stuhlbarg, as Newman, spans nearly half a century with utter conviction, and Mark Harelik fires up the stage as Hayes...

Author: /time Magazine | Title: Theater: Go West, Young Man | 1/31/2000 | See Source »

...during the performance, the orchestra's rhythms seemed jolted and their phrases choppy. In addition, the trumpets botched an entrance and the intonation between the flute and oboe was something less than desirable With the upper strings seated on the outside of the stage on both sides of the conductor, the imbalance of the string section was frequently overpowering.Traditionally, the cellos occupy the outer ring to the right of the conductor, and the Pops' alternate arrangement meant that the vocalists and soloists in the wind section were occasionally drowned out. But these were minor details, virtually forgotten through listening...

Author: By Kelley E. Morrell, CONTRIBUTING WRITER | Title: Concert Review: Pops: 'Tis the Season | 12/17/1999 | See Source »

...Keith Lockhart, the Pops' young conductor, was as vibrant and witty as ever, cracking jokes and poking fun to ensure that all had a good time. The program was obviously not chosen to display the works of Mozart, Dvorak and Debussy, but rather to draw all types of people together in search of the audience's enjoyment. As Lockhart remarked prior to playing Duke Ellington's jazzy rendition of the Nutcracker, "This is like nothing that you have ever heard before." And he was right. Ellington's take on the "Sugar Plum Fairy," renamed "Sugar-Rum Cherry," was a superbly...

Author: By Kelley E. Morrell, CONTRIBUTING WRITER | Title: Concert Review: Pops: 'Tis the Season | 12/17/1999 | See Source »

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