Word: conductors
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Dates: during 1970-1979
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...treated with lavish care by Conductor Eugene Ormandy and the Philadelphia Orchestra. Capacity audiences first in Philadelphia, then last week in Manhattan, roared approval of Shostakovich's grim, powerful music and offered special bravos to Ormandy and the black, Slavic sound of Finnish Baritone Tom Krause...
...conductor of the Super Chiefs is Coach Hank Stram, a spry, spruce little fellow (5 ft. 7 in., 205 Ibs.) who looks like a Cheshire cat, dresses like Cecil Beaton, talks like Otto von Bismarck and operates like Jimmy Valentine. "Every team," he says, "should have its own style that reflects the personality of the coach." The Kansas City Chiefs are a mirror image of both sides of Stram's personality: courteous, reliable and trustworthy off the field; coruscating, resourceful and a little terrifying on it. When it comes to dealing with players, Stram has every grain of Vince...
...speaker was Conductor Leonard Bernstein, and Franco is Designer-Director Franco Zeffirelli. The result of their talks created the first great occasion at the Met since it opened its season after a disastrous delay-a brand-new production of Cav and Pag (Cavalleria Rusticana and Pagliacci), opera's beloved twin chestnuts, flossily refurbished. Though Bernstein's demanding schedule only permitted him to conduct Cav (Met Conductor Fausto Cleva did Pag), the night promised to be one to remember. Bernstein and Zeffirelli, after all, in 1964 had helped turn the Met's Falstaff into the recent decade...
...Peculiar Magic. Much of the trouble lay with the operas. Verdi's Falstaff, with its quicksilver score and its well-drawn characters, is a director's and a conductor's dream. Cav and Pag are genre pieces in a style known as verismo (truthful) to distinguish their homely subject matter from the myths and legends fashionable at the time...
...Conductor Pierre Boulez is trying to change all this. "Debussy performances are too much tied to this idea of elegance and sweetness," Boulez recently told TIME'S London correspondent, Christopher Porterfield. "To me, Debussy is more feline-the claws can suddenly come out and scratch you with a kind of cruelty. His is sensitive music, but it is very often on the verge of erupting. To conduct it, a sense of atmosphere is not enough. You must have the iron hand within the velvet glove...