Word: conductors
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Dates: during 1970-1979
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Others do. The Pavarotti voice inspires some opera buffs to evoke the pre-World War I Golden Age, and others to proclaim a new one. "It's a phenomenal instrument, one of those freaks of nature that come very rarely in a hundred years," says Conductor Richard Bonynge. Clear and penetrating, it has a brilliant, metallic timbre and yet remains warm, with a gorgeous romantic sheen. Pavarotti supports it with a taut, energizing column of air that keeps the tone uniform from top to bottom; ins notes have been described as a set of "perfectly matched pearls...
...their upcoming appearance in I Puritani, arguing that their last-act duet, with its punishing high D-flats for tenor, should be transposed downward. Sills assured him he could hit the notes. "Only if you castrate me," he said. Last year, minutes before Pavarotti's TV recital, Metropolitan Assistant Conductor Gildo Di Nunzio found inm slumped in his dressing room "seeming so alone and terrified. He didn't think he could do it, he wished he could cancel. I wouldn't have been in those shoes for anything...
...when he was 27, he got a job as stand-by for Giuseppe di Stefano in a Covent Garden production of La Bohème and sang several performances. Conductor Richard Bonynge heard him and was "bowled over." Eventually, Pavarotti found himself singing with Bonynge's wife, Joan Sutherland, in a Miami production of Lucia di Lammermoor. To Sutherland's skeptical eye, this strapping unknown looked like "a big schoolboy." But to her ear? "Well, it was absolutely phenomenal ? the fabulous resonance, the shading, such range, such security." The Bonynges signed him up for a 14-week tour of Australia...
...means being surrounded by a mere dozen or so people. The entrance to his property has a closed-circuit TV camera for screening visitors, yet the gate is rarely shut, except at night, because nobody wants to be bothered with all that opening and closing. Musicians like Conductor Claudio Abbado, in-laws, the curator of Pesaro's Rossini Museum, journalists, the local -the guests constantly come...
Just as Fellini gives us a German conductor-cum-dictator to hammer home his message, so he creates his supposedly symbolic revolution out of such literal-minded devices as graffiti, falling plaster and gunshots. Certainly the movie's point comes through loud and clear, but, as art, Orchestra Rehearsal is distressingly tone-deaf...