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...Harvard-Radcliffe Veritones receive no funding from the University, said Kathie S. Koo ’04, president of the group. The conductor of the Harvard-Radcliffe Orchestra (HRO) is paid partly by the OFA, but the group is otherwise independently funded, said HRO President Ethan L. Gray...

Author: By Sara E. Polsky, CRIMSON STAFF WRITER | Title: Ballet Loses Funds Under New Guidelines | 2/9/2004 | See Source »

...Mental health services at Harvard resemble a symphony orchestra of talented performers, but without a clear conductor and with all musicians playing different music,” concluded the 1999 Provost’s Committee on Student Mental Health Services...

Author: By Katharine A. Kaplan, CRIMSON STAFF WRITER | Title: Navigating the Caregivers | 1/16/2004 | See Source »

...Blaine has had one of the most interesting four year changes I’ve ever seen,” says Kevin Leong, assistant conductor of the Harvard Glee Club, a group Saito has been devoted to since freshman year. As a kid, Saito sang in a boys’ choir and played violin, but it was only here that he fully realized his connection to music. Standing outside Holden Chapel, what Saito calls the “spiritual center” of the Glee Club, he speaks of music in deeply passionate terms. “Music can produce...

Author: By Jessica S. Zdeb, CRIMSON STAFF WRITER | Title: You Say Aloha, You Also Say Shalom | 12/11/2003 | See Source »

...ensemble’s second Brahms piece was accompanied by Elisabeth M. Remy ’95 on harp. Before the piece began, conductor Jameson Marvin remarked to the audience that an organ served as the piece’s original accompaniment, but, because of the lack of an organ on Friday night, a harp was deemed the most worthy replacement. Indeed, Remy did not disappoint with her effortless melodies, which provided a rich but not overpowering pairing with the voices of the chorus...

Author: By Mildred M. Yuan, CRIMSON STAFF WRITER | Title: Many Motets Fill Sanders | 11/10/2003 | See Source »

...simply do not know as much as most of the orchestra. At rehearsal this past Thursday Dr. Y., our conductor, gave suggestions as to pieces for our next concert. At his mention of “The Moldau,” about half of the orchestra groaned, and half sat up eagerly. Bows and hands shot up, voting heartily in one direction or the other as to whether we should add the piece to our program. I abstained. My hand stayed firmly planted at my side, because I honestly don’t know if I’ve ever...

Author: By Jessica S. Zdeb, CRIMSON STAFF WRITER | Title: I Love It, I Want It | 11/6/2003 | See Source »

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