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Word: conflicted (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Feldstein is relentless in his over-simplification of the conflict in as much as he reveals only the kibbutznik as the sufferer. As Feldstein describes how the Palestinian onslaught is taking a psychological toll on innocent kibbutznik children and grownups, he unfortunately magnifies the one-sided image of the Palestinian as a violent PLO terrorist...

Author: By Nina J. Lahoud, | Title: Thirty Years of Frustration | 5/16/1978 | See Source »

Israel, in reality, is a volcano in action. No longer a tribe and not yet a nation, no longer Orthodox Judaism and not yet a new civilization. Gone is the messianic belief in one redeeming formula; yet to be discovered is the gradual way toward recovery. The conflict with the surrounding Arab world helped, ironically, to establish, to strengthen and to integrate Israel as one community. But peace has become an imperative need, precisely for those Zionists whose vision consists, not of a miraculous messianic formula, but of a slow painful therapy for a very old and very sick nation...

Author: /time Magazine | Title: ISRAEL: Reflections on an Anniversary | 5/15/1978 | See Source »

...description of the Vietnam conflict that the reader is most cheated. Not because Nixon misses any details, or fails to deem it important and emotional. Nixon even provides an anecdote on Kent State that succeeds in making even the great villain of those days somewhat human, stating his sympathy for the parents and students who died "protesting a decision they felt was wrong...

Author: By Kerry Konrad, | Title: Talking Head: '74 | 5/11/1978 | See Source »

...book both extraordinary and historic. The personal memoir of a life of conflict, an extraordinary life lived in the arena, a public life that ended with the greatest fall in modern political history. The whole story...

Author: /time Magazine | Title: Nation: Nixon's Memoirs: I Was Selfish | 5/8/1978 | See Source »

...loin-cloths beneath. Caligula wears especially formidable garments, a black robe in the first act, a red robe in the second, and in the death scene a combination of colors contrasting the themes of Eros and Thanatos. The multi-level set mixes Roman with primitive, cleverly suggesting the conflict between civilization and repressed primal instincts. A pool in the center of the stage allows the actors to stare into the water and look miserable, as though it were an inimicable existential void, and it contains real goldfish--a nice touch. The various platforms and stairs permit some interesting blocking...

Author: By J. WYATT Emmerich, | Title: Tripping Through Tragedy | 5/4/1978 | See Source »

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