Word: conformiste
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...entrancing is her exterior that it is hard to look much further. Even her directors, some of Europe's best, almost gush when they talk about her. "Dominique has charm and allure that are outside of our time today," says Bernardo Bertolucci, who directed her in The Conformist. He compares her to F. Scott Fitzgerald heroines, who destroyed men with their reckless charm...
...years as a superbly subtle technician of the screen. His taut, understated performances have included such diverse characterizations as the driven public prosecutor in Costa-Gavras' Z, the uptight Catholic in Rohmer's Ma Nuit Chez Maud and the intellectual fascist-killer in Bertolucci's The Conformist. Trintignant's acting style is condensed to a prodigious point of thrift in which complex characters are brought to life with extraordinary economy of gesture and expression. "The best actor in the world," he maintains, "is the one who feels the most and shows the least...
...evil game. If you want to win you have to be vicious." To heighten his perception, he has delved into drugs, fasted and conducted sexual experiments with his wife. To sharpen his powers of concentration, he races his Formula V car. Dominique Sanda, his co-star in The Conformist, describes him as "an eye that listens attentively." Says Trintignant: "I wake up in the morning and think, 'How would my character wash his teeth?' I build up a valise of ideas about him." With that valise, Trintignant never travels light...
...yarns of the '30s than The Wild Bunch had with Shane. The Godfather's primary concern is not bullets and murders but dynasties and power. In the cool savagery of its ironies, expressed within a traditional framework, it is much closer to, say, Bertolucci's The Conformist. In its blending of new depth with an old genre, it becomes that rarity, a mass entertainment that is also great movie art. &3183; Jay Cocks
...Gomorrah for titillating and moralistic examples of vice unfettered, they now need go no further than the early days of the Third Reich. Movies as different as Stanley Kramer's Ship of Fools. Lucino Visconti's The Damned. Hal Prince's Something for Everyone and Bertolluci's The Conformist have begun to pick and prod the corpses of Nazi Germany and Fascist Italy in search of moral parallels to our own, none-too-healthy times. (And, though it's true Visconti and Bertolluci can hardly be dismissed as Hollywood hacks, the very fact that their films, once made, were eagerly...