Word: conformists
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Reebok, with particularily canny marketing genius has pinpointed precisely this exacting clientele. In many ways, Reebok is the ultimate conformist shoe. But Reebok is exploiting the notion that we can distinguish ourselves as individuals according to what is in our closet, on our shelves or in our refrigerator or garage. Buy these shoes, the ads tell us, if you really know what you want...
...ferment of the outside world. In the '60s, as a prodigy auteur with the smartest, most restless camera style in the business, Bertolucci was a charter member of the first generation of directors who were bred to break the rules of narrative film. Before the Revolution (1964) and The Conformist (1970) swooned with infatuation for radical politics and complex storytelling. With Last Tango in Paris (1972), Bertolucci looked to have conquered Hollywood on his own terms. Its desperate, soft-core sex and the voluptuous rankness of Marlon Brando's monologues stirred scandal wherever it played. While an Italian court...
Babbitt's own inheritance included an expensive and eclectic education and a strong sense of noblesse oblige. Where he grew up, the name Babbitt seldom reminded anyone of the bourgeois conformist of the Sinclair Lewis novel; rather, in Flagstaff, Ariz., it meant roughly what Rockefeller does in New York. Arriving a century ago in Flagstaff, a logging and ranching town south of the Grand Canyon, five Babbitt brothers turned a modest grubstake into a mercantile empire. As Bruce came of age, his family owned the grocery, drugstore and icehouse; a lumberyard and sawmill; and owned or controlled nearly a million...
...Emperor's day, Bernardo Bertolucci (The Conformist, Last Tango in Paris) would surely not have obtained a passport to visit the Forbidden City, let alone explore its ruler's forbidden soul. Last year, though, the director received free range of both from Pu Yi's successors, who regard his final, harmless-dodderer incarnation as an exemplary triumph for their system. The result is a film epic in length (almost three hours), vision (the reimagining of a lost and exotic world) and imagery (formal and glowing). Yet at its center is an anti-epic figure, inarticulate and victimized. The movie must...
Underlying the soap opera is an essay on the seductive comforts of a conformist society and the way in which free thinkers inescapably disquiet the people around them. When the pastor speaks of faith, he means order, moral certitude, freedom from doubt. To him there is no deeper satisfaction than to be regarded as normal. His attitude echoes the values of a police state; when Road opened at Yale in 1984, then more effectively at Britain's National Theater in 1985, the pastor seemed a humbug, professing affection for an old friend while ruthlessly trying to have...