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...Philadelphia, when the Federal Council was in the throes of organizing. It was no easy matter to thread the creeds and dogmas of dozens of sects and bring them together in a common Christian purpose. Out of a bog of conflicting theological ideas Dr. North led his confrères to high and solid ground-social service. An active minister and city missions worker, he believed that "when the standards of the Gospel shall have become the rule of Society, His Kingdom will be here." He wrote the first social creed for the Federal Council which was the cornerstone...

Author: /time Magazine | Title: Religion: Federal Council's 25th | 12/18/1933 | See Source »

...extra-legal matters also, Lawyer Barringer is no match for his cinema confrère. His office is less shiny, his secretary (Una Merkel) less mature, his scout and handy man (Raymond Hatton) less sly. For pleasure, Lawyer Simon likes a trip to Europe, but Lawyer Barringer goes to Miami, frequents greyhound races. Kruger acts as well as Barrymore but The Women in His Life lacks the cleverness and impact of Counsellor at Law. Good sound: Barringer's voice, hoarse with pneumonia and emotion, when he wakes up in a hospital after a drunken visit to the grave...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 18, 1933 | 12/18/1933 | See Source »

...Vickers (RKO-Radio). Sinclair Lewis' story of a woman social worker is satisfactory material for the cinema. As adapted by Jane Murfin it briefly shows Ann Yickers (Irene Dunne) at the start of her career, coolly fencing off the admiration of a clownish confrère and a suave young barrister (Conrad Nagel). It deals more comprehensively with her wartime love affair with Captain Resnick (Bruce Cabot). After these preliminary romances and Ann's brief, unhappy experience as a prison-executive, the picture launches enthusiastically into the matter of her liaison with Judge Barney Dolphin (Walter Huston...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 9, 1933 | 10/9/1933 | See Source »

After the fight, Pegler described what had caused most of his confrères to compose routine sobstories...

Author: /time Magazine | Title: Press: Sweetness & Light | 10/9/1933 | See Source »

...tune is his undoing. When he goes again to buy a funny balloon, the peddler who sells it to him recognizes his whistle, signals a confrère. The confrère bumps into the villain, slaps on his back a chalk M to identify him. The thieves and beggars follow him, corner him in the storeroom of an office building. They take him off to face their kangaroo court in the cellar of a deserted brewery. His psychopathic defense-"You are criminals because you want to be! I am one because I cannot help it!"-is about to fail...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 10, 1933 | 4/10/1933 | See Source »

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