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...batch of 10,000 survives; the larvae fall prey to a host of natural predators. To complicate the job of would-be lobster farmers, the creatures must be kept apart: in captivity they show as much appetite for each other as humans do for them. Says Marine Biologist Douglas Conklin: "They are mean, rotten, aggressive creatures...

Author: /time Magazine | Title: Science: Lobster Bodega | 6/4/1979 | See Source »

...Conklin, 36, should know. As associate director of aquaculture at the University of California's Bodega Marine Laboratory, he has been involved in one of the more promising lobster-farming experiments to date. For seven years, marine biologists, chemists, geneticists and nutritionists, working in two small concrete blockhouses on the waterfront of Bodega Bay, a quiet fishing village about two hours' drive northwest of San Francisco, have been unraveling the puzzle of mass-producing lobsters...

Author: /time Magazine | Title: Science: Lobster Bodega | 6/4/1979 | See Source »

...Conklin, who says his team is "optimistic but not jumping over a cliff," predicts that it will take another five years before commercial lobster farming can begin. But he thinks one outstanding problem can be licked long before then...

Author: /time Magazine | Title: Science: Lobster Bodega | 6/4/1979 | See Source »

City Opera has done well by Argento. Set Designer John Conklin's haunted house is properly spooky, and the opera's shifts in time and mood are made decisive by Gilbert Hemsley's lighting. Conductor Julius Rudel kept things going so smoothly one almost forgot that this was a world premiere, the first time for everyone. For Rita Shane there can be only praise. Her acting was fiery, her singing confident, if uneven. It is hard to think of anyone, including Sills, who could have truly commanded the part. Miss Havisham's Fire burns a long...

Author: /time Magazine | Title: Music: The Immolation of an Opera | 4/2/1979 | See Source »

...simple. It was first introduced to America as a vaudeville clown in 1910, and the country did not respond warmly. Charlie's comic flare failed to ignite enthusiasm until the epochal one-reeler in which he tried on Fatty Arbuckle's pants and Chester Conklin's jacket. In that moment The Tramp was born, and with him a long parabola of triumph and humiliation. The arc described a career bred of deprivation and encompassing nearly every cinematic skill, from producing and directing to the writing of scenarios and scores, gags and tragedies...

Author: /time Magazine | Title: Cinema: Exit the Tramp, Smiling | 1/2/1978 | See Source »

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