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...CON: Too good an idea to waste on a day no one will read it. Stay tuned...

Author: By Michael R. Grunwald, | Title: The Lost Wednesday | 11/27/1991 | See Source »

CAPE FEAR. Martin Scorsese, the world's top picturemaker, revamps the 1962 Robert Mitchum sicko thriller. This time Robert De Niro (never more cruddily galvanizing) is the ex-con with a death wish for the man who put him behind bars (Nick Nolte) and his family. Chills, laughs and a climax that hits like a hurricane of hysteria...

Author: /time Magazine | Title: Critics' Voices: Nov. 18, 1991 | 11/18/1991 | See Source »

...this remake of the 1962 sicko classic based on John D. MacDonald's novel The Executioners, the plot contours are the same: a sleazy ex-con, Max Cady, comes to a small Southern town to take his slow revenge on a lawyer who sent him to jail, and on the lawyer's vulnerable family. The basic ethical tangle remains as well: How can a good liberal fight a bad man who at first may do nothing but lurk? But now everything else is more intense, more complex. From the film's first images -- weird creatures shimmering just below sea level...

Author: /time Magazine | Title: Filming At Full Throttle: MARTIN SCORSESE | 11/11/1991 | See Source »

...clear that the East represented in the main dining room of Dudley Hall was a pathetic sellout--it was not India. It wasn't the East. The clothes had no trace of the complex and rich heritage which marks India. And not even the most audacious of cultural con-artists can claim to find any trace of the cultural roots of the Afghani and Iranian refugees who purportedly handcrafted the convoluted designs. I find it difficult to believe (a doubt which some of my friends from Delhi confirm) that even the elite in Delhi, where Ms. Ramani has a boutique...

Author: NO WRITER ATTRIBUTED | Title: Dudley House's Unfashionable Show | 11/7/1991 | See Source »

...song for what's left of New York. Playwright Terrence McNally loves the city as only a recruit from Corpus Christi, Texas, can. Director Garry Marshall, a native New Yorker, loves it as one who has escaped its boundaries but not its nostalgic magnetic pull. So their lovable ex-con Johnny (Al Pacino) may come on to rumpled beauty Frankie (Michelle Pfeiffer) in a workplace seduction straight out of Anita Hill's nightmares, but he's really a sweet guy who can make a cactus bloom. Pacino plays Johnny as if he is New York: pushy, forlorn, indomitable. And Pfeiffer...

Author: /time Magazine | Title: Dead End on Sesame Street | 10/21/1991 | See Source »

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