Word: connect
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Dates: during 1970-1979
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...sake, everyone, stop this twentieth century Inquistion. It is not anyone's job to control and censor the scientific community. If the theories of Dawkins, Wilson, (cute, J., the way you connect him with Shockley when there is no connection) DeVore and Trivers are that ludicrous, leave them alone. They'll go away like all ludicrous theories do. When people start telling The New York Times that they lynched someone or stole someone's food after reading The Selfish Gene, the matter will have to be considered further. But for now the rampant paranoia and vigilanteism at this university must...
PLAYWRIGHTS Lawrence and Lee are very careful to illustrate Thoreau not as the bearded, weary-eyed man seen on postage stamps, but as a vigorous, rebellious, self-righteous contemporary-someone to connect with on a personal level...
...roles and comedy. But here in the U.S., I am the mean lady," says Swiss-born Actress Marthe Keller, 30. Mean is perhaps not quite the word for her roles as a double agent in Marathon Man and as a Palestinian terrorist in Black Sunday. "I couldn't connect with that part, it was so violent," she says. "I played it cold, without emotion, like I would do Lady Macbeth." Her next appearance will be in Bobby Deerfield with her real-life love Al Pacino. She is also signed to play in Director Billy Wilder's movie...
Hastings said he submitted a plan for the creation of suites in Holmes, Comstock and Moors Halls to Dean Rosovsky two weeks ago. The proposal would connect some single rooms to form multiple student suites...
...path in significant ways. While Cunningham never directly collaborates with composers--occasionally his dangers do not hear the sound accompaniment until opening night--Dean for several years worked closely with musician Steve Reich, and now composes her own music. She's intersted in showing how dance and music connect at the deepest level: in the use of the physical self as instrument. Unlike Cunningham, who exploits the illusion of randomness by splaying dancers around the performing space, Dean relies on absolute repetition, absolute unison, absolute symmetry...