Word: connely
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AMERICAN SHAKESPEARE FESTIVAL, Stratford, Conn. Morris Carnovsky is Shylock in The Merchant of Venice; Cyril Ritchard doubles as Oberon and Bottom in A Midsummer Night's Dream; Maria Tucci plays the title role of Jean Anouilh's Antigone until Sept. 10. Macbeth joins the repertory July...
Harvard's oarsmen have won the Eastern Sprint Championships, the Stein Cup (from Brown and Rutgers), the Adams Cup (from Pennsylvania and Navy) and the Compton Cup (from Princeton and M.I.T.). In New London, Conn., last month, they swept to their fifth straight victory over Yale, by the huge margin of seven boat lengths. And on New York's Hunter Island Lagoon two weeks ago, they outstroked Philadelphia's Vesper Boat Club, the 1964 Olympic champions, to 1) earn the right to represent the U.S. at next month's Pan American Games at Winnipeg, Canada...
Black Pearl. Dionne recorded her first Bacharach song, Don't Make Me Over, in 1962 while she was a scholarship student at the Hartt College of Music in Hartford, Conn. After the song climbed into the top ten, she answered the call of her manager ("C'mon, baby, you gotta go"), left school and went on a tour of France, where critics crowned her "Paris' Black Pearl." Rhapsodized Jean Monteaux in Arts: "The play of this voice makes you think sometimes of an eel, of a storm, of a cradle, a knot of seaweed, a dagger...
...loudest noises in Chicago last week at the annual trade show of the National Association of Music Merchants. One manufacturer alone (Vox, a subsidiary of Thomas Organ Co.) displayed 64 electronic instruments and gadgets. Some of the most notable-or at least most audible-new products on view: >The Conn Corp.'s "multi-vider," a transistorized digital computer the size of a cigar box, which, when hooked up to an amplifier and a microphone in a wind instrument, enables the musician to play as loudly as he wishes. He can also duplicate his notes over as many as four...
STRATFORD, Conn.-It has become fashionable in the last few years for stage directors, especially young ones, to pick up a classic that is generally conceded to be a light comedy and so stage it that it comes out a "dark" or "black" comedy. This is precisely what Michael Kahn, aged 29, has done with The Merchant of Venice now in view at the American Shakespeare Festival...