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Usage:

...Metropolitan Opera (Sat. 2 p.m., ABC). Don Giovanni, with London, Steber, Conner, Conley...

Author: /time Magazine | Title: RADIO: Program Preview, Mar. 15, 1954 | 3/15/1954 | See Source »

...message from the Metropolitan Opera, warning that she might have to substitute for an ailing Susanna (Nadine Conner) in that night's performance of Mozart's Marriage of Figaro, and advising her to go home and rest up. Pretty Roberta went home, all right, but not to rest; she had never sung the opera, had not even studied it for five years. She called in a relay of coaches, who put her through the plot, brushed her up on the endless chatter of Italian recitatives, reminded her of the Metropolitan's new stage layout...

Author: /time Magazine | Title: Music: Firehouse Coloratura | 2/8/1954 | See Source »

...three sections this year, the first of which takes examination Saturday afternoon. Kaplan is a member of this section. The CRIMSON's source, who asked that his name not be used, could not reveal how knew in advance who would win. "I never make mistakes," he claimed. "Ask Conner how the o' Kapper does...

Author: NO WRITER ATTRIBUTED | Title: Kaplan Wins Beale Prize? | 1/20/1954 | See Source »

...Conner family of the Midwest city of Green Prairie represent the new Wylie ideal. Father Conner is a sturdy sector warden who has kept his faith in C.D. throughout the dull years of cold war. So have his worthy wife and their sons Ted (a radio ham) and Chuck (an architect serving in Air Force intelligence). But their neighbors, the Bailey family, have spent the cold-war years lining their nests and crying haw-haw at C.D., except for daughter Lenore, who is devoted both to Chuck Conner and radiochemistry. Trouble is that Lenore is faced with the prospect...

Author: /time Magazine | Title: Books: Virtues of Annihilation | 1/18/1954 | See Source »

...Uppman sang and acted Pelléas asif he believed him. Baritone Martial Singher (as the half brother), Basso Jerome Hines (as the half-blind grandfather) and Martha Lipton (as Pelléas' mother) all sang like fine anti-Wagnerians. And though the delicate voice of Soprano Nadine Conner (Mélisande) sometimes seemed half lost in the glimmering sound from the orchestra pit, her performance came even closer than the others' to the opera's fairy-tale intention...

Author: /time Magazine | Title: Music: Anti-Wagner Opera | 12/7/1953 | See Source »

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