Word: conners
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Dates: during 1950-1959
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Shake Hands with the Devil (Pennebaker; United Artists) turns a heap of expensive ingredients-James Cagney, Don Murray, Michael Redgrave, Dame Sybil Thorndike, Dana Wynter, Glynis Johns-into an everyday Irish stew. Taken from a 1934 novel by Rearden Conner, the plot concerns a young American (Murray), a medical student in Dublin just after World War I, who finds himself innocently involved in "The Trouble." Pursued by the Black and Tans, he is spirited away by one of his professors (Cagney), who turns out to be a high officer in the Irish Republican Army. Grateful and idealistic, he joins...
...paper has gone downhill since then, she noted, "until it no longer has enough prestige to attract talented writers. Editor Jane A. Conner '60 was forced to put out the last three issues without assistance, Miss Webster continued, and "all she received was criticism...
Except for the goalies, the defense was the Crimson weak-spot, as its members were less experienced than those of the line. It improved gradually, however, throughout the season. Defensemen Dean Alpine and Dave Conner, for instance, were probably the players who improved most during the course of the year...
...wicker porch chairs. Gregg, a 70-year-old rebel without a cause, splenetically pries his tag loose. The philosophic Hook, an old man's old man of 94, observes mildly of Gregg's feat that workmanship is not what it once was. The armchair rebellion merely saddens Conner, the poorhouse prefect. A self-punishing do-gooder, Conner needs the inmates' gratitude to mirror his righteousness. As the day wears on, instances of man's, and even nature's ingratitude multiply. Gregg lures a diseased cat into the poorhouse grounds, and Prefect Conner orders it shot...
...guesses that the poorhouse fair will erupt in an ugly show of violence toward Conner. Symbolically, it is the mock crucifixion of a false Christ. Hungering for the bread of understanding, the old people had been fed the cold tin plates of social progress. Updike unfolds his parable with stylistic elegance. But, too polite to talk about the sin of pride, he gradually throws away his book's sense of purpose...