Word: connick
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Meanwhile San Francisco sat and moped over its music. Director of the San Francisco Fair's music, dollar-eyed, dewlapped Harris De Haven Connick, had pictured a rosy future on an $800,000 budget. But last week, with their Fair already open more than two months and Director Connick out on his ear, irate San Franciscans were clamoring for more and better music. So far the most important music absorbed by San Francisco's 2,900,301 Fairgoers was played by Edwin Franko Goldman's band. After booping inconspicuously in odd spots about the Fair grounds...
...averaged only 33,610. Last week it borrowed another $750,000, bringing to $3,250,000 its borrowings from banks and industry in addition to $6,000,000 subscribed by loyal Californians. It was clear something had to be done. It was. Plump, pompous Chief Director Harris De Haven Connick, who had held his $17,500 job for over a year, was fired...
Though it was obvious that San Franciscans should be lured to visit their Fair several times, Director Connick arranged few entertainments anyone would care to see twice. He gave Sally Rand an exclusive contract for a nude show, promptly signed contracts for others. When Sally Rand kicked, he sicked police on her, forced her girls to don brassieres. Last week no successor was appointed. Actual runners of the show from now on will probably be two members of the board of management, Philip Patchin (Standard Oil of California) and James Byers Black (Pacific Gas & Electric), whose companies are the Fair...
...than the eye-fillers on Flushing Meadows. One item in this cost is presumably the quantity of sculpture with which San Francisco's non-modernist but imposing buildings will be adorned. No less than 20 local sculptors had been working undisturbed with the exposition architects, until meaty Irishman Connick, who was chief engineer for the 1915 San Francisco fair and later finance chairman of Famous Players Lasky Corp., became executive director fortnight...
With one projected piece of sculpture Mr. Connick had no quarrel: the monumental, distinguished design for a new goddess, Pacifica (see cut), which San Francisco's veteran Ralph Stackpole modeled to be the exposition's 70 ft. cynosure. But Mr. Connick remarked of Abundance, a nude male figure by David Slivka, that it looked more like a failure of the fig leaf crop; of Occident & Orient, two female nudes by Jacques Schnier, that they would be barred from burlesque; of South American Woman Grinding Corn by Cecilia Graham, that it should be called Woman Bet-Loser Shoving...