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Since war's end Whitehall has fielded a Round Table of diplomatic knights-Sir Harold Caccia, Sir William Hayter, Sir Con O'Neill, Sir Pierson Dixon, Sir Frank Roberts, among others-whose rare talents have been superbly supported by the smooth, articulate technicians of Whitehall. The government has not yet said when it will tear down the Foreign Office. Indeed, if it should change its mind and spare the old building, it could well argue that some of the world's wiliest diplomats have come from palazzos-if not from slums...

Author: /time Magazine | Title: Great Britain: A Whitehall Elephant | 1/10/1964 | See Source »

...expand at full speed just to keep up. Already a giant among U.S. power utilities, it ranks first in the size of the area it covers, first in revenues (1963 earnings: $113 million on $749 million sales), and second only to New York City's Con Edison in generating capacity. P.G. & E.'s growth has been so phenomenal that the company will spend a record $255 million in 1964 on new power plants and transmission facilities. The 1964 outlay, announced last week, is only the first installment of a master plan that by 1980 will make...

Author: /time Magazine | Title: Corporations: Expand or Expire | 1/10/1964 | See Source »

...that refuses to talk or a chimpanzee that plays Lady Macbeth. The dialogue is more quippish than witty, but the hip mass-media-men-at-work lingo scatters the laughs over an occasional drab patch of script. The life of the play is in the instinctive mendacity of its con-man hero. The Albatross flies where Sammy Glick once...

Author: /time Magazine | Title: Theater: Move Over, Sammy Glick | 12/27/1963 | See Source »

...each doing what he knows best. Apple Grower George Wardlaw sculpts and paints apples-green, delicious, crab, rotten and otherwise; ex-Mink Farmer Joseph Kurhajec makes fetishes of ferocity from blowtorched sheepskin, muskrat pelts, ram horns and chicken feathers; Rugmaker Dorothy Grebenak hand-weaves tapestries of U.S. Treasury bills, Con Edison manhole covers, even a nubby facsimile of a Gordon's gin label. Through...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

...Loves an Albatross, for the audience begins to realize just how pathetic Preston is. His friends all deliver homilies to the effect that honesty is the best policy; his secretary (she loves him and he wants her) turns her back on him. To Preston, though, life is a floating con game, and he dupes another producer (through means so far-fetched you wouldn't believe it) and wangles another lucrative contract...

Author: By Richard Andrews, | Title: Nobody Loves an Albatross | 12/5/1963 | See Source »

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