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Word: connors (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Draper Laboratory designs prototype guidance mchanisms for MX, Cruise, and Trident missles, all first-strike weapons. Its major customers are the Air Force, Navy and the Department of Defense, Joseph F. O'Connor, executive assistant to the president of the lab, said yesterday...

Author: By Elizabeth H. Wiltshire, | Title: Endurance Marks Draper Lab Protests | 4/8/1980 | See Source »

...Connor said Ailanthus and the lab had agreed in July that the group would distribute leaflets within designated boundaries on the property Draper rents...

Author: By Elizabeth H. Wiltshire, | Title: Endurance Marks Draper Lab Protests | 4/8/1980 | See Source »

Fitzgerald's screenplay draws directly on O'Connor's novella, using much of her original dialogue, which is both realistically harsh and softly poetic. And all of the book's strange characters are faithfully recreated: Asa Hawks, the failed preacher disguised as a blind man who begs and steals in the name of Jesus; Sabbath Hawks, his sluttish daughter who falls for Haze; Enoch Emery, the idiot teenage zookeeper who finds a bizarre solution to Haze's search for a new Jesus; Hoover Shoats, the mercenary street preacher who seizes on Haze's Church Without Christ as an exciting...

Author: By David Frankel, | Title: Hellfire and Damnation | 4/5/1980 | See Source »

...bizarre collection of characters, truly worthy of O'Connor, whose novella magically integrates the commonplace and the violent. But without the superb cast assembled by Huston and Fitzgerald, Wise Blood might have been as lifeless as Haze's Church Without Christ. Instead, the cast brings to the screen and earnestness we expect only of top-rank stage actors. There are no holes, no weak links, only simple excellence...

Author: By David Frankel, | Title: Hellfire and Damnation | 4/5/1980 | See Source »

...most remarkable aspect of the film is the simple way Huston and Fitzgerald have translated O'Connor's work to the screen. It works as if the novella had been the treatment for a screenplay. Like O'Connor, they make these characters seem natural when, in fact, they are grossly unnatural. When Haze wraps himself in barbed wire, a sequence that is at first horrifying becomes tender and comic because these characters really breathe, bleed and smile. Fitzgerald even allows some of O'Connor's imagery to creep into the dialogue when Enoch describes a woman with "hair so thin...

Author: By David Frankel, | Title: Hellfire and Damnation | 4/5/1980 | See Source »

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