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...curse of the greatest TV actors is that no one believes they're acting. As Archie Bunker, the beseiged blue-collar bigot and patriarch of "All in the Family," Carroll O'Connor became his character so completely and physically that it was impossible to imagine him as a separate person. It wasn't just his New York-y delivery - those "youses" and "terlets" - but the way he carried himself: the tousled hair, the bone-weary shamble, the plaintive Irish eyes rolling heavenward at the dingbats and pinkos who surrounded him in his own house...

Author: /time Magazine | Title: Carroll O'Connor: Goodbye, Archie | 6/22/2001 | See Source »

...Connor played him, Archie Bunker was perpetually and evocatively tired: tired from his job working the loading docks, tired from dealing with the new world of strangers (blacks, Jews, Catholics) who moved into his Queens neighborhood in a period of urban flux, tired of the shocks to his system as a lifetime of immutable values changed around him minute by minute. He put the "lump" in "lumpenproletariat." "All in the Family," the boundary-shattering comedy about what folks used to call "the generation gap," would have been a classic regardless, because of the passion of producer Norman Lear's ideas...

Author: /time Magazine | Title: Carroll O'Connor: Goodbye, Archie | 6/22/2001 | See Source »

...Because, make no mistake, the man was acting. Unlike his braying, spluttering character, O'Connor was born in the Bronx but his real voice was no Bronx cheer; he was soft-spoken and thoughtful and said that he never heard Archie Bunkerisms growing up in his well-off childhood home. An accomplished journeyman stage and film actor, O'Connor made Archie into a character - dry and operatic, hateful and touching - where a cartoon would have sufficed. It would have been easy to make Archie a caricature (and he was one) or a straw man (he was that too). It would...

Author: /time Magazine | Title: Carroll O'Connor: Goodbye, Archie | 6/22/2001 | See Source »

...Connor's Archie Bunker - at least for the show's raw, groundbreaking first half-decade - captured a moment that political historians take for granted now but that Americans were only vaguely aware of at the time: the splintering of the classic New Deal Democrat coalition. Blue-collar union guys (like Archie) had depended on FDR and organized labor to secure them contracts, provide Social Security, look after their comfort: in short, to protect them and keep their world stable. Social justice to Archie was a pot roast on their table and an evening sit-down in his favorite chair...

Author: /time Magazine | Title: Carroll O'Connor: Goodbye, Archie | 6/22/2001 | See Source »

...account of actual events submitted to Poe -- is reflected in several of his own short stories, including the marvellously titled "Heavy Put-Away, or a Hustle Not Wholly Devoid of a Certain Grossness, Granted," found in this collection. An account of a mean prank worthy of Flannery O'Connor at her darkest, "Heavy" is one of Southern's most pointed comments about human nature, and a perfect example of his crisp, succinct approach to writing (one can think of several crime novelists - e.g.think Donald Westlake - who would have spun "Heavy" into a full-length "scam" novel...

Author: /time Magazine | Title: The High Life and High Times of Terry Southern | 6/18/2001 | See Source »

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