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Word: conquests (lookup in dictionary) (lookup stats)
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...need for the narrator. By the swiftness of her flashing toes, as she and Romeo first face each other, she establishes a mood of girlish ecstasy; by the neat way she lifts one calf across the other while Romeo holds her aloft, she expresses womanly satisfaction in her conquest; at the marriage, the very line of her pouter-pigeon torso, stretching straight back to her pointed toes as she is held up, delivers an emotional wallop. But the high point of Ballerina Ulanova's performance is her fluttering despair when faced with a second suitor, and then her precipitous...

Author: /time Magazine | Title: Music: Ballet on Film | 4/9/1956 | See Source »

...civil disobedience "Satyagraha," or Soul Force. The word comes from satya, meaning truth, and agraha, meaning firmness. The former implies love, Gandhi wrote, and the latter, force; in other words, Satyagraha is "the Force which is born of Truth and Love or non-violence." "Satyagraha," Gandhi explained, "postulates the conquest of the adversary by suffering in one's own person," and it demands that every civil resister disobey a law that is counter to his own conscience and cheerfully to demand the punishment for breaking the law. This weapon, which was to shake the British Empire, relied...

Author: By John G. Wofford, | Title: Gandhi's Sword in Alabama | 3/28/1956 | See Source »

...many times as you've verbally ripped motion pictures and their stars apart, you certainly made up for it in "The Conquest of Smiling Jim." The story was of great interest to me, but I find it hard to believe that Bill Holden is really that perfect...

Author: /time Magazine | Title: Letters, Mar. 19, 1956 | 3/19/1956 | See Source »

Donald H. Menzel, director of the College Observatory, and Fred L. Whipple, professor of Astronomy, debate whether or not the conquest of space is fact or fiction. Free for all at Jordan Hall tomorrow...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 3/17/1956 | See Source »

...lack, the emptiness of which he dreamed most of all. It is Earl Edgerton, in the half-real role of Uncle Ben, who represents this dream. Properly stiff, arrogant, and inhuman, Edgerton conveys the symbolic nature of his part: the power and glory of tangible success, of almost physical conquest, a confusion of real and unreal in Willy's groping mind...

Author: By John A. Pope, | Title: Death of a Salesman | 3/16/1956 | See Source »

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