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...Archibald MacLeish, for his Collected Poems, 1917-1952, his second Pulitzer. (His first, in 1933, was for Conquistador.) The Pulitzer committee gave no award for music...

Author: /time Magazine | Title: The Press: Pulitzer Prizes | 5/11/1953 | See Source »

When the poet turns to an historical event in which to inject emotions of his own life and age, he is more successful. Conquistador, a long poem about the conquest of Mexico, reveals, a thorough understanding of war's effect on individuals. Composed in three-line classic meter, the poem is free of obtrusive personal comment and conveys brilliantly the horror of death, the elation of victory, and the awe of discovering new land...

Author: By Jonathan O. Swan, | Title: Realm of A. MacLeish | 11/29/1952 | See Source »

...sprawling mural cavalcades of Mexican history, Diego Rivera has painted at least four portraits of Conquistador Hernando Cortés, always as a handsome, broad-shouldered hero. Last week Rivera fans, examining his latest addition to the murals in Mexico City's National Palace, met a new character, a cross-eyed, hunch backed, bowlegged cretin. "It's Sancho Panza," was their immediate reaction...

Author: /time Magazine | Title: Art: Cross-Eyed Conqueror | 11/19/1951 | See Source »

...Harvard English department, which approved the selection, MacLeish seemed an ideal choice. As a Pulitzer Prizewinning poet (Conquistador, 1932), MacLeish lives up to the latter-day Boylston tradition of creative rather than scholastic talent as exemplified by the last two holders of the chair: Poet Robert S. Hillyer and Poet Theodore Spencer, who died in January. He will receive upward of $10,000 a year, plus the legendary right to pasture a cow in Harvard Yard. To MacLeish, the job will mean one more turn to a career that has already covered a catalogue of callings, ranging from gentleman-farmer...

Author: /time Magazine | Title: Education: Invited Back | 5/16/1949 | See Source »

...decade or more that survival has been in doubt-and plenty of literary buzzards have circled above the place of apparent extinction. Archibald MacLeish, winner of the Pulitzer Prize in 1932 for a strong and gorgeous narrative poem on the conquest of Mexico (Conquistador), began, in the middle '30s, to write poetic manifestoes of state in which the oratorical interest outgrew the poetic. Moreover, both kinds of interest deteriorated, reaching a nadir in a thin book of thin versified prattle called America Was Promises, in 1939. In that year MacLeish had accepted the first of a series of public...

Author: /time Magazine | Title: Books: If Autumn Ended . . . | 9/20/1948 | See Source »

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