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...graduation from Radcliffe, drifting from a Harvard graduate course to a job as a clerk in a New York bookshop to volunteer political work for Robert Kennedy and Thomas Bradley, the Negro Los Angeles mayoral candidate. She had most recently been a welfare worker. Author and Artist Barnaby Conrad, a family friend, described her as "square in the best sense of the word," but others who knew her say that she had changed in the year since she took up with Frokowski...

Author: /time Magazine | Title: Crime: The Night of Horror | 8/22/1969 | See Source »

...Just how consistent and dogged Greene's grasp upon his own certitudes is may also be observed in this collection of character sketches and literary criticism-not always in ways calculated to enhance his reputation for balanced judgment. Greene writes about the great dead, among them James, Conrad and Hardy, and steadily mines their graves for texts on death, damnation and moral corruption. By compulsively and compassionately visiting his own moral preoccupations upon the life and art of others, he often more truly reveals himself than his subject...

Author: /time Magazine | Title: Books: Studies in Black and Grey | 8/22/1969 | See Source »

...spotter; he writes on Walter de la Mare but is virtually silent on Joyce; he has nothing to say to the audience of Susan Sontag, which is most unlikely to admire Robert Louis Stevenson, a Greene favorite. For him the old standbys: James' The Spoils of Poynton and Conrad's Victory are "two of the great English novels of the last fifty years." James is "as solitary in the history of the novel as Shakespeare in the history of poetry." It is not the brilliant surface and subtlety of James that attracts Greene, of course, but the underlying...

Author: /time Magazine | Title: Books: Studies in Black and Grey | 8/22/1969 | See Source »

...every sequence to no valuable effect. Kovacs' landscapes and wide-angle shots of the two motorcycles crossing the Southwest are quite marvelous; but the LSD sequence is predictable--lots of fish-eye shots, weeping, and intimation of death--and boring, and doesn't do justice to the drug (compare Conrad Rooks' sublime hallucinations in Chappaqua or in any film by Jordan Belson). Hopper also has an irritating editing affectation: when indicating the passage of time he'll cut two frames of the next sequence in twice at the end of the preceding scene. Real avant-garde...

Author: By Joel Haycock, | Title: Easy Rider | 8/12/1969 | See Source »

...join many other college generations in giving thanks for this supreme teacher, supreme conductor, supreme human being--G. Wallace Woodworth, James Edward Ditson Professor of Music, B.A., M.A., Mus. Doc., Litt. D. He was all of this--triumphantly. But most important, was Woody. His favorite novelist, Joseph Conrad, once wrote that "a man's real life is that accorded to him in the thoughts of other men by reasons of respect or natural love." In Woody's case, it was both...

Author: NO WRITER ATTRIBUTED | Title: Woody | 7/22/1969 | See Source »

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