Word: conrade
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Dates: during 1960-1969
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Miss May writes to devastate, and, much to my delight, she comes down hard on everything, including white liberals, the New York Post , the University of Miami, SNCC, the CIA, Dore Schary and Conrad Hilton. The play is not outwardly disturbing, and yet one cannot help but cringe a bit with every joke. The authoress holds out no hope for anyone, and I can't imagine how anyone could prove her wrong...
When his second son, Barron, first approached him about a job in 1946, Hotelman Conrad Hilton was less than enthusiastic about the idea. A college dropout about to become a father at 19, Barton had far to go to prove him self as a businessman. Nor did he agree with his father's evaluation of his tal ent. Barren said that he would not work for less than $1,000 a month. Conrad was not willing to pay him more than $150. The young man decided to go into business for himself...
...graduation from Radcliffe, drifting from a Harvard graduate course to a job as a clerk in a New York bookshop to volunteer political work for Robert Kennedy and Thomas Bradley, the Negro Los Angeles mayoral candidate. She had most recently been a welfare worker. Author and Artist Barnaby Conrad, a family friend, described her as "square in the best sense of the word," but others who knew her say that she had changed in the year since she took up with Frokowski...
...Just how consistent and dogged Greene's grasp upon his own certitudes is may also be observed in this collection of character sketches and literary criticism-not always in ways calculated to enhance his reputation for balanced judgment. Greene writes about the great dead, among them James, Conrad and Hardy, and steadily mines their graves for texts on death, damnation and moral corruption. By compulsively and compassionately visiting his own moral preoccupations upon the life and art of others, he often more truly reveals himself than his subject...
...spotter; he writes on Walter de la Mare but is virtually silent on Joyce; he has nothing to say to the audience of Susan Sontag, which is most unlikely to admire Robert Louis Stevenson, a Greene favorite. For him the old standbys: James' The Spoils of Poynton and Conrad's Victory are "two of the great English novels of the last fifty years." James is "as solitary in the history of the novel as Shakespeare in the history of poetry." It is not the brilliant surface and subtlety of James that attracts Greene, of course, but the underlying...