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...Trinidadian writes are brothers, which partly explains why their recent books on Africa both argue that the heart of darkness has relocated to a new bend in the river, just north of South Africa. They have not left Conrad far behind in their assertion that Africa is a dark and irrational continent...

Author: By Judith E. Matloff, | Title: The New Heart of Darkness | 7/13/1979 | See Source »

Both Naipaul brothers see Africa through Conrad's eyes--as a ruined land where logic is an anomaly and men become corrupted. But for V.S. Naipaul, the entire world is a senseless, despondent morass. For Shiva, civilization and Mistah Kurtz are only dead in Africa...

Author: By Judith E. Matloff, | Title: The New Heart of Darkness | 7/13/1979 | See Source »

Coming Home and The Deer Hunter, in any case, are only the beginning. Still to come is Francis Ford Coppola's long delayed $35 million Apocalypse Now, opening in August. Coppola has based the film on Joseph Conrad's Heart of Dark ness, translating the tale of savagery and evil from the Congo to Viet Nam. There, Marlon Brando, playing the Mr. Kurtz character, is a renegade Army colonel who has taken over a remote province and set up his own war against the Communists. Captain Willard (Martin Sheen) is sent to assassinate the rebellious Kurtz. The movie...

Author: /time Magazine | Title: Nation: Viet Nam Comes Home | 4/23/1979 | See Source »

DIED. Max Conrad, 76, the "flying grandfather" who set six distance and endurance records in the air; in his sleep; in Summit, NJ. In 1950, to visit his wife and their nine children in Europe, Conrad soloed in a tiny Piper Pacer from New York to Geneva. Hooked by the fame that followed, he made nearly 200 transoceanic flights in small planes...

Author: /time Magazine | Title: Milestones, Apr. 16, 1979 | 4/16/1979 | See Source »

...Historian Andrée Conrad sees disastermania in sociological terms. In a recent review of 20 catastrophe books for the quarterly Book Forum, she argued that disaster writing and entertainment are safety valves for hostility toward a complicated culture. Says Conrad: "For one exhilarating and guilt-free moment, the whole teeming supermarket cart of capitalist goodies is sent hurtling down the aisle and crashes through the façade." The films, in her view, also ease the dread of death, since there is comfort in knowing that everyone almost always dies together. Concludes Conrad: "The success of disaster entertainment...

Author: /time Magazine | Title: Behavior: The Deluge of Disastermania | 3/5/1979 | See Source »

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