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Word: cons (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...artist like a prostitute? See Music, Second Fiddle con Brio...

Author: /time Magazine | Title: A Letter From The Publisher: Jul. 26, 1968 | 7/26/1968 | See Source »

Nudes in the Score. Con brio serves as the motto of Schneider's life as well as his music. Married and divorced three times, he is an Old World charmer who, as a friend puts it, has a different girl for every occasion. "The only important things," Schneider sighs, "are women and music." His exuberance sometimes leads him into a harsh candor about other musicians' performances, which he cheerfully calls "giving it to them over the head...

Author: /time Magazine | Title: Violinists: Second Fiddle, con Brio | 7/26/1968 | See Source »

...Lavinia is Shaw's leading character and spokesman. In his Postscript, Shaw calls her "a clever and fearless freethinker." She is one of his huge gallery of extraordinary women--a group unsurpassed by any other twentieth-century dramatist. Lavinia falls into the category of those persons passionately driven by con-science and commitment--like his Saint Joan, his Major Barbara, his Vivie (in Mrs. Warren's Profession), and his Lina (in Misalliance...

Author: By Caldwell Titcomb, | Title: 'Androcles' Rounds Out Stratford Season | 7/16/1968 | See Source »

...melodrama sounded like an excerpt from one of Tennessee Wiliams' own plays. "I am in a net of con men," read the hastily scrawled letter the playwright had written to his brother Dakin. "If anything of a violent nature happens to me, it will not be a case of suicide, as it would be made to appear." That sounded ominous, and everybody grew more worried when Williams disappeared from his Manhattan apartment. Reporters finally located him last week at his house in Key West, refusing to talk about anything. "He must have had a bad scare," judged Dakin. Tennessee...

Author: /time Magazine | Title: People: Jul. 12, 1968 | 7/12/1968 | See Source »

...scene an urban one; Truffaut stages it along the Côte d'Azur, where Photographer Raoul Coutard makes the outside beckon like a Cezanne landscape. Even a minute role played by a little boy is observed with special insight. When Moreau puts on glasses and tries to con the boy into accepting her as his teacher, he reacts with an air of whimsical gamesmanship; it is a put-on, he decides, and who knows more about put-ons than little boys...

Author: /time Magazine | Title: New Movies: The Bride Wore Black | 7/5/1968 | See Source »

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