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...with the Surrealists in wartime exile in New York City, especially André Breton and Roberto Matta. Gorky had been borrowing Surrealist imagery for years, and he flourished in their company. It was through Matta that he renewed his interest in the Surrealist notion of automatism, a means of relinquishing conscious control of the hand to let it discover images that flowed from the unconscious. With that, some key turned inside him, allowing him to translate impressions of nature and the body and childhood memories of Armenia into an abstract language of longing and release. (See TIME's photo-essay...

Author: /time Magazine | Title: Arshile Gorky: The Shape Shifter | 11/9/2009 | See Source »

...track most recalling The Smiths with its jangly Johnny Marr guitar—highlights Morrissey’s idiosyncratic singing until a harp budges in and confuses the mood. The depressive lyrics hit a little too close to home, as Morrissey seems somewhat conscious of his own recent mediocrity: “At one time the future / Did stretch out before me / But now / It stretched behind...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Morissey | 11/6/2009 | See Source »

Auster’s concern is in the self-conscious depiction of the confusion of his characters; digging through books and words and letters to find truth, to find something—to find themselves. The protagonist of “Invisible,” Adam Walker, does just this; he looks for himself in Paris and looks at himself in letters. His quest is one of identity, but strangely, Auster’s almost simplistic prose leaves Walker as effervescent and fleeting as the novel itself...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

...first person, I had smothered myself and made myself invisible, had made it impossible for me to find the thing I was looking for. I needed to separate myself from myself.” Walker’s literary distance—within the context of these self-conscious sections—helps him look for himself in darkly tinged sexuality and self-revelation...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Invisible’ Remains Transparent | 11/6/2009 | See Source »

...Part of my life experience has been about being sort of an outsider, a little awkward in some very sophisticated venues. I was conscious that my experience was kind of invisible in that world. And as a woman, I learned to define myself as separate from [the] world of academia and scholarship, even as I was doing well. Coming into my scholarship through the women’s movement and also through my life experience has made me hypersensitive to issues of marginality...

Author: By BETH E. BRAITERMAN, CONTRIBUTING WRITER | Title: 15 Questions with Laurel Thatcher Ulrich | 11/5/2009 | See Source »

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