Word: consciously
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...initially garnered high acclaim for “Opal,” including a movie deal and several glowing reviews (USA Today wrote, “you won’t read a sweeter, funnier, more charming book this year”). Viswanathan denies any conscious wrongdoing and claims that although she read, admired, and “internalized” McCafferty’s novels, “any phrasing similarities between her works and mine were completely unintentional and unconscious.”But a judicious examination of the evidence thus far does not bode well for Viswanathan?...
...something anyway—she really does want some and will just end up eating all of your popcorn if you don’t. Finally, pick a movie with an unrealistically attractive actress in it so your date will leave the theater feeling a little self-conscious and begin to consider that maybe she should settle for a guy like you after...
...Call it hipster cute or avant-adorable. Cuteoverload.com saves itself from treacly Jean Teasdale territory by being self-conscious and even nerdy. Meg Frost, who started the site last fall, has a gift for writing captions that avoid the patois of faux innocence that turn those calendars into instant kitsch. While Frost anthropomorphizes wildly, these kittens do not encourage readers to "Hang in there!" or enthuse, "Thank God it's Friday!" Rather, sleepy stoner kittens complain, "Look. I cannot deal with you right now," and ponder the need to check their MySpace profiles. Angry pug puppies quote Goodfellas ("You think...
Maier and his team are luxury rebels. They have refused to succumb to the democratization of luxury brands, marked by big logos, lower-priced offerings and "it" bags. Even the most label-conscious consumers--the Japanese--don't seem to miss the blatant badges. At a trunk show in the brand's new Omotesando boutique in Tokyo last week, Maier sold $308,000 worth of bags in less than two hours. (Of course, the Japanese customers asked him to sign them on the inside.) "'It' bags mean nothing," said Maier of styles like Fendi's $1,430 B bag. "Women...
WHAT'S NEW Miami, for starters. Style-conscious director Michael Mann, who executive-produced Vice for TV, took the original show's atmospherics from a provincial Miami that hid its grit under pink stucco. Now it's a boomtown, flush with international cash and bristling with glassy towers. The crime scene in '80s Miami, Mann says, "was just small-town cocaine cowboys. Now, everything seems to have a couple of zeroes added to the end of it." Gone too are the signature pastels. As for the substance, the director insisted on an R rating, allowing the movie to show...