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Back after a year of high society, "For Whom the Bell Tolls" returns at popular prices, still dragging a multitude of pros and cons in its political wake. As soon as it was produced in the fall of 1943, Director Sam Wood was hauled over a bed of hot coals...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 3/9/1945 | See Source »

Replied Miss Thompson, in effect: Editor Thackrey doesn't know a straddle when he sees one. Said she: "In the article referred to, written in 1931, I weighed the pros and cons . . . and threw the weight of my argument against the probability of Hitler obtaining a parliamentary majority. But...

Author: /time Magazine | Title: The Press: Such Language! | 2/12/1945 | See Source »

As just another "G.I. Joe" I'd like to get in my two-bits' worth regarding the pros & cons of a peacetime army [TIME, Dec. 18], ...

Author: /time Magazine | Title: Letters: Letters, Jan. 15, 1945 | 1/15/1945 | See Source »

Cutthroats and Reformers. A generation later, the great Macready had given way to the cheapest melodrama, and the dukes in the audience to cutthroats. The theater remained an eyesore until a social reformer named Emma Cons (London's first woman County Councilor) nailed it as one of her jobs...

Author: /time Magazine | Title: The Theater: Old Vic in New Quarters | 9/18/1944 | See Source »

But it was Emma Cons' musical, driving niece, Lilian Baylis, who brought the Old Vic back into the limelight by putting genius ahead of gentility. She introduced the new "moving pictures," then opera and concerts, finally the repertory company that made the Old Vic a worldwide synonym for Shakespeare...

Author: /time Magazine | Title: The Theater: Old Vic in New Quarters | 9/18/1944 | See Source »

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