Word: consent
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Conventional wisdom conflates the modern filmmaker with the modern novelist, as both are assumed to fill the role of storyteller. For the typical moviegoer, it’s understood that a film moves forward on the axis of narrative. Equally fundamental is the notion that the viewer consents to that narrative. For Nathaniel Dorsky—an experimental filmmaker, professional film editor, and film essayist—these rules impose unnecessary constraints on the freedom of the process. Instead, he says, the very idea of the moving image implies a sort of narrative.“Film is a narrative...
...taking over from his well-liked father in October 2000, including his attempt to sell the family's forests to the state for a massive profit. "Henri doesn't have full popular legitimacy," says Pauly. "He has to find a new way to legitimate his role." Achieving such broad consent may not be helped by a hard line on bioethics in a country where fewer than 10 percent still attend church regularly. Getting out of the way, however, may just do the trick...
...awful crime of marrying the Lord Chancellor, a mortal. Her half-fairy son, Strephon (Aseem A. Shukla ’11), falls in love with the beautiful Phyllis (Anna Ward), the ward of the Lord Chancellor (Matthew C. Stone ’11). But the Lord Chancellor will not consent to their marriage because he, as well as many in the House of Peers—a satirical portrayal of British Parliament—are in love with Phyllis. After the fairy queen (Meghan D. McLoughlin ’09) pardons Iolanthe for her crime, Strephon appeals to his mother...
...Wild Side) and respected plays (The Killing of Sister George), and the films based on them. The plot dilemma of that age's serioso movies was often just the threat of being accused of homosexuality, as in Tea and Sympathy, The Children's Hour and Advise and Consent. The tone was sensation dressed up as sympathy...
...least one openly gay or lesbian elected official, including Alabama, Montana and Oklahoma." The gay subculture is a hip harbinger of official culture and can boast its own nationwide cable network in Logo (two if you count Bravo!). Homocentric movies like Milk have replaced homophobic movies like Advise and Consent; and in TIME you read reviews like this instead of the 1962 review of Victim...