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Word: constant (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

When Catherine Hearst, 57, took the stand, her shining blonde hair elegantly coiffed, she looked as though she were planning to go shopping at Tiffany's. Steven Weed has claimed that there was "constant tension" between mother and daughter. In the S.L.A. "interview" with Tania, she called her mother "an incredible racist" and said that "my parents were the last people in the world I would go to to talk about anything." Yet Mrs. Hearst described Patty as "a very warm and loving girl," adding, "we always did things as a family." Bailey asked if the alienated girl described...

Author: /time Magazine | Title: TRIALS: The Verdict on Patty: Guilty as Charged | 3/29/1976 | See Source »

Pakula is not unwilling to take credit. He observes that he had "constant hassles with actors who were awed by the subject of the film and thought in an ideological frenzy they had to give it all they had. I've never seen so many experienced professionals overacting in my life." Redford is probably entitled to credit for submerging his actor's ego beneath his producer's needs and playing, as does Dustin Hoffman, as part of an ensemble...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

...thing remains constant in this atmosphere of uncertainty, it is coach Harry Parker. The enigmatic Parker is as close-mouthed and noncommittal about his squad's boating and future as he has been in the past...

Author: By Amy Sacks, | Title: Harvard Crew: Learning to Deal with Uncertainty | 3/26/1976 | See Source »

...foul?" The reader can almost hear Diggins giggling in self-satisfied delight. Elsewhere he is simply pretentious. In an account of Buckley's attempts to reconcile Catholic theology with free-market economic precepts, Diggins intones solemnly, "Indeed conservatism, capitalism, and Christianity present an impossible synthesis." His penchant for constant alliteration, even when it requires the use of inappropriate words, is equally annoying...

Author: By Stephen J. Chapman, | Title: Renegades from Radicalism | 3/26/1976 | See Source »

...long lines of Chassler's dance move with a consistently high level of energy, except for the pauses, this intensity never lessens. Although an ending is signaled by a slight falling-off from the high pitch. It's this constant flow of energy which gives Chassler's dance its characteristic quality-- the looseness, the spontaniety, the feel of the everyday almost to the point of banality...

Author: By Susan A. Manning, | Title: Lines Almost Spoken | 3/18/1976 | See Source »

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