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...employ the underutilized o. Like that crazy Socrates, who made fun of his interlocutors while pretending to compliment them, Kierkegaard uses irony to force his opponents to avoid rehearsed answers and confront their true beliefs. He even wrote under pseudonyms like Hilarius Bookbinder, Nicolaus Notabene and Constantin Constantius. In the world of 19th century Christian philosophy, this is sidesplitting stuff, trust me. In the book, Kierkegaard wrote, "Irony is a disciplinarian feared only by those who do not know it but loved by those who do." When I ran Kierkegaard's argument by Purdy, he said, "Kierkegaard is very neat...

Author: /time Magazine | Title: In Defense of Irony | 10/4/1999 | See Source »

...Constantin Brancusi completes abstract sculpture Bird in Space...

Author: /time Magazine | Title: Milestones Of The Century | 6/8/1998 | See Source »

According to Brustein, American students will benefit from the tutelage of those who learned the famous Stansilavsky technique system--a dramatic style characterized by the actor's personal identification with the role--from its creator, the Russian theater innovator Constantin Stanislavsky...

Author: By Jacqueline A. Newmyer, CONTRIBUTING WRITER | Title: ART, Moscow Theatre School Will Offer Joint Training Program | 11/13/1997 | See Source »

...grew up in privilege. Her father was a well-connected Jewish financier who made millions on Wall Street and was an adviser to Presidents. Her mother, a writer and socialite, counted among her friends the sculptor Constantin Brancusi and the novelist Thomas Mann. In 1940 Kay married Phil Graham, a charismatic protege of Supreme Court Justice Felix Frankfurter and later something of a golden boy of the postwar liberal establishment. It was quite a family...

Author: /time Magazine | Title: BOOKS: KATHERINE GRAHAM: THE IRON LADY SPEAKS | 2/3/1997 | See Source »

There wasn't much social criticism in New York Dada, though some of its members were clearly ticked off by the conservative character of the American art world. Picabia even satirized Alfred Stieglitz--whose 291 gallery was the main rallying point for modernist artists like Constantin Brancusi, Georgia O'Keeffe, Arthur Dove and Marsden Hartley--as an impotent figure, a camera with a collapsed bellows. Dove himself had a prod at the reviewing establishment in The Critic, 1925--a figure meant to represent Royal Cortissoz, the much feared conservative who had dubbed modernism "Ellis Island art." It is a paper...

Author: /time Magazine | Title: ART: DAYS OF ANTIC WEIRDNESS | 1/27/1997 | See Source »

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