Word: constantly
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Dates: during 2010-2019
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...point cleanly illustrated by the fact that eight females final clubs with multi-million dollar properties are unlikely to exist in the near future, the article inadvertently marginalizes women. Harvard women (or at least those whom I have had the privilege to meet) do not exist in a constant state of fear that they will be excluded; nor do they maintain friendships and/or initiate relationships, as Herz-Roiphe suggests, in order to stay on the guest list for upcoming parties. The very growth of women’s final clubs and sororities, as well as the rising numbers of elected...
...choose if we want to hear commentary at all? What if announcers only spoke during halftime and time-outs, as one friend would realistically turn to another only during a lull in the action? We could lose ourselves in the experience of the game much more easily without constant prattle, whether it’s that of a non-stop announcer or the guy who won’t shut up in the row behind you at the stadium...
...Though this pair is fictional, the world they occupy is full of real characters, although at the mercy of Palahniuk’s historical and anachronistic distortions. In the style of Patrick Bateman of “American Psycho,” Coogan’s narration is a constant barrage of brand names, celebrities, and historical references. The narrator self-consciously refers to this multiple times as “name-dropping Tourette’s syndrome,” and flipping through the pages, one sees that each and every name has been set in bold...
Despite the constant praise that he receives for his musical abilities, Campbell is the first to criticize himself and push to become a better player. “Music for me is so personal and I care so much about it. It can be really tough. If I don’t do well with music, it really affects me personally and really can get me down,” he says. “There are so many things that I’m not satisfied with. I don’t want to sound complacent with my playing?...
...It’s a hard thing to work with because a lot of times people know what they want the set to look like and do,” Shields says. “There’s a constant revision process and you have to find a balance between the set being interesting… and facilitating the action of the play. It can be a challenging process particularly as you work with new directors whose ideas change quite a bit… and as you try to nail down what you’re doing more...