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...fictional Sarah. "I'm just like you," she chirps over the opening credits. "I don't have a job, and my sister pays my rent." In a typical episode, she has brunch with her friends, sticks them with the bill and gets into bizarre scrapes because of her constant need for attention (especially her sister's); her clueless insensitivity to minorities, the disabled and the elderly; and her penchant for drinking cough syrup while driving...

Author: /time Magazine | Title: Television: So This Woman Walks Into A Sitcom... | 1/26/2007 | See Source »

Wood's problem was that the motors of his day could not turn at a constant enough rate of speed. As a result, the curvature of his mirror kept changing. Also he was unable to avoid vibrations, which set up ripples in the metallic pool. Wood was aware of another shortcoming of his telescope: because it always had to face straight up, it could not be swung around to point at interesting stars and galaxies or to take time-exposure photographs by following the celestial objects across the sky as the earth rotated...

Author: /time Magazine | Title: Science: Taking a Mercurial Approach | 1/26/2007 | See Source »

...covered with a cabinet and a neat display of picture postcards showing Chicago's tourist attractions. Diana and her sons and the other families of Cabrini-Green live in a cross fire between rival gangs, who have turned the project into an American version of Belfast or Beirut. Constant warfare between gangs like the Disciples, Vice-Lords or King Cobras across such notorious between-building battlefields as "the Blacktop" or "Wild End" have made Cabrini-Green one of the most dangerous places in America. Too often, the innocent bystander is gunned down in a murderous fusillade. This year alone, there...

Author: /time Magazine | Title: In Chicago: Raising Children in a Battle Zone | 1/26/2007 | See Source »

Writing is the one constant in Simon's life. Says Trilogy Director Gene Saks, one of Simon's valued friends: "He never stops writing because of any personal problem; it is his great release, and he never has writer's block." Daughter Ellen says her "earliest recollection was of sneaking past the door when he was writing. I always felt that I didn't have his full attention. He seemed to be distant, in his own world." For Simon, the early stages of writing a play are a kind of Freudian trek through the subconscious: "There's no blueprint...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

With his books, Hall is similarly incapable of being restrained. And in an age when reports of literature's demise are a constant dirge, Hall has helped keep the novel alive with his own wildly unpredictable outpourings. From meticulously researched historical sagas to dystopian futurism (Kisses of the Enemy), parallel universes (The Last Love Story) and magic realism (The Island in the Mind), the thrice Booker Prize?nominated novelist has surfed genres seemingly at random. Hall is an automatic writer in the Surrealist sense, giving vent to his dark subconscious. So it hardly comes as a surprise when the author...

Author: /time Magazine | Title: Catching the Fire | 1/25/2007 | See Source »

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