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TALK ABOUT madmen is frustrating. An inquiry into madness is even more so: it is difficult to focus, and there are distinctions to be agreed upon. As examples are amassed and the inquirer's theoretical construct rises, the madness described inevitably assumes a certain flavor and tone. Sometimes there is the circus fascination, fallen from favor in this age of ethics but quite popular in medieval days, where raving lunatics in various aspects of disintegration are portrayed to impress hellish demonology on the mind of the reader. Other times the inquirer insists that his aims are ones of great moral...
...give us is an Alice in Wonderland rule of revolving logic: that the irrationality of madness is such that it can never really be defined or predicted, like an enfant terrible who out of whim kicks down any castle of philosophical building blocks that the inquirer might care to construct around him. Which is a perfectly valid point, though it hardly requires a book, as the five lines of the epigraph demonstrate...
...hundred miles south-east of the Straits of Hormuz, the entrance to the Gulf, Masirah sits right on the main sea lanes joining the Persian Gulf to the industrialized world--a perfect take off and refueling point only. Despite Congressional strictures against it the US has continued to construct a base on the strategically located Indian Ocean British island of Diego Garcia...
...REEDOM'S JUST ANOTHER word for animated films. Freedom for the animator to construct a film frame by frame, drawing and painting and manipulating images, recurrences, and transitions. Freedom for the spectator from the usual verbal transmission of ideas and symbols. Freedom for the cinema from live-action continuous filming and naturalistic photography...
FUSSELL'S BOOK--and I've only giving you a pale chill compared to the frisson you get reading it--leaves you with a sense of an entire social construct arising out of the Great War. He carefully analyzes the major war-related works of Sassoon, Owen, Robert Graves, David Jones, and Edmund Blunden, to show how they created the new ironic form of cognition World War I bestowed upon our culture...