Word: contacted
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Dates: during 2000-2009
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...engine burn was designed to slow the spacecraft down just enough to ease it into a lunar orbit without losing so much altitude that it crashed into the moon instead. Orbital mechanics also demanded that the maneuver occur on the dark side of the moon, entirely out of radio contact with Earth. At 68 hours and 58 minutes into their journey, the crew buckled in and vanished around the moon's far side...
...burn worked exactly as scripted, inserting Apollo 8 into an initial lunar orbit 169.1 miles high at its peak and just 60.5 miles above the lunar craters at its nadir. Even before the crew re-emerged around the other side of the moon and back into radio contact with Houston, Anders snapped what is surely the most iconic photo of the space age and one of the most iconic of any age: Earthrise over the lunar surface...
...outreach, though apparently sincere, seem equally symbolic, at least for now. Obama has had short conversations with Reagan's Secretary of State George Shultz and former deputy Secretary of State Richard Armitage, and both men describe their conversations positively. But an Obama transition aide, when pressed about these contacts, admits that it is "not fair to put them in the category of advisers." Rick Warren and Obama are not particularly close: Obama has had only tangential contact with him over the years and disagrees with him on aspects of some social issues including abortion and gay rights...
...Woodward, at that point a very young and very inexperienced reporter, had managed to find a source as well placed as Deep Throat. We surmised that Woodward, having only been at the Post for a short time and at that covering minor local stories, had to have made this contact at some point in his life before journalism. We first tracked down the people whom he had met at Yale College and who also worked for Nixon and hounded them about their relationship with Woodward. One of those sources told us to look at Woodward's military service. Examining those...
...Directed by Gabriele Muccino and written by Grant Nieporte, Seven Pounds continues a string of movies - The Pursuit of Happyness, I Am Legend, Hancock - in which Smith's characters are isolated and superior, estranged from normal life, ultimately trying to make contact with ordinary folks. It's been ages since the star flashed his charismatic smile for a whole movie. Here he speaks to people with a precise courtesy that seems learned rather than felt. Pain pulses just behind his fretted eyebrows; he carries himself like a hero too gentlemanly to show his grief, too weighed down to hide...